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sinisa.kukic

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Posts posted by sinisa.kukic

    Website and Reel Feedback

    in Jobs, Resumes, and Reels

    Posted

    Thanks for taking a look. I appreciate the feedback. I've been contemplating for a while now if I should increase the video size. I guess that's what I'll be doing this weekend.

     

    Thanks a bunch

    Sinisa Kukic

    Cinematographer

    San Francisco - Los Angeles

    www.sinisakukic.com

     

     

    Hi Sinisa,

     

    I took a look at your site & I think it looks very good-clean & organized. Organized being very key in my opinion. I liked your use of your name as a button to return to your main page, too. Think I'll be bookmarking you so I can steal some organizational ideas when I work on my site in the near future. My only complaint to you is the size of the videos. I imagine you wanted get more footage on, so you compressed more? For me, it made it harder to watch through everything completely, but I did like what I saw. Perhaps showing less of your first two longer reels in order to decrease the amount of compression so viewers won't have to squint to view your work. It just made it hard on the eyes, and I'm someone who wanted to get through the entire reels. I'd guess others might not be so willing or forgiving to watch such a small viewing area. For me, the Experimental Reel was the most engaging and held my attention the longest. Pretty cool. Keep it up.

    Selling Gossen Ultra Spot 2 Meter

    in Cine Marketplace

    Posted · Edited by sinisa.kukic

    Hi.

     

    I have a used Gossen Ultra Spot 2 meter that I don't use much. It's in mint condition and it includes a leather pouch with a belt loop.

     

    They sell for about $650 I think. All reasonable offers will be considered. If interested email me at sksprocket(at)gmail.com and I'll send you some pictures.

     

    Best,

    Sinisa Kukic

    LA

    super 16 to 35mm blow up

    in Film Stocks & Processing

    Posted

    hi. i'm shooting a documentary next month in brasil and trying to figure out which stock to shoot on.

     

    we're shooting super 16 and ending up on 35mm.

     

     

    we are only shooting exteriors during the day but there will be a lot stuff in the early morning and late afternoon as the sun is fading.

     

    my main concern right now is shooting with a faster stock during lower light conditions in the early morning and late afternoon and how well it blows up to 35mm. i'm thinking about shooting on the 250D or the 320T. anyone have experience blowing up these two stocks?

     

     

    and recommends?

     

    thanks

    sinisa

    Shure FE32 Repair

    in Off Topic

    Posted

    Hi. I have a Shure FE32 mixer. The right channel keeps dropping out. I'm looking for someone who knows how to repair these mixers. If you have any recommendations please let me know.

     

    Thanks

    Sinisa

    sprocket@resinifilms.com

    Aaton XtrPlus Package for sale

    in Cine Marketplace

    Posted

    Hi Folks!

    I am selling my Aaton XtrPlus package. The camera is just serviced by Abel and includes: 11.5-138 mm Canon Pl mount Lens, B& W video Tap, 4 Batteries, 2 Mags, Micro Force, 2 Sided Follow Focus, 5x6 Matt Box, set of filters, Variable Speed Control, Sachtler Legs, Cartoni C20 Head and Flight Cases. If interested please call me at 646-206-7966.

    Thank you,

    Axel

     

     

    Is it still available? If so can you email me your asking price? sinisa(at)resinifilms.com

     

     

    Thanks

    Sinisa

    Photography

    in Please Critique My Work

    Posted

    i would recommend shooting on a simple 35mm camera, like a AE-1 or something. you can get those for $50 these days with a normal prime on it. you would learn more about reading light when you have to think about it and not just look at a picture on the digital camera back to see the light.

     

     

    here's my deviant link. http://www.resini.deviantart.com

     

     

    best

    sinisa

    What caused this to happen?

    in 16mm

    Posted

    a cause for this could be that the pressure plate wasn't in its forward position. on the bolex you can pull back the pressure plate to clean it. when shooting with a bolex i always check that it's in the forward position after loading. i hope this helps. sinisa.

    Super 16 to 35mm blow up.

    in 16mm

    Posted

    I have my first decent budget feature. We're shooting in December for four weeks. The toss up is between 35mm and Super 16mm. As the DP I believe that the aesthetic of Super 16mm will fit the film and the director agrees with me. At this point I am planning on using Fuji F400 stock. I am also testing in pulling the stock one stop in developing. It's a look that I really like but I am worried about possible complications with the pull and the blow up to 35mm. I haven't done the blow up test with the super 16, pulled a stop and blown up to 35mm. I am hoping to do this in a few weeks. Since most of you are more experienced with this than me. Is there anything that I should prepare for with so many variables. Is there a lab that you can recommend to use for this.

     

    Thanks

    Sinisa

    Kodak 7272 and Optical Printing

    in Film Stocks & Processing

    Posted

    Hi. I'm working on a experimental film using a lot of optical effects with a JK 103 printer. I'm planning on printing from Kodachrome 40 Super 8 to 16mm 7272. I've heard that the blues really pop out on the 7272 and i'm worried that it might be too much since I'm originating from Kodachrome. I'm going to do some tests later this week an am looking for suggestions with color correction while I'm printing. Or anything else to look out for or should include in my test.

     

    Thanks

    Sinisa

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