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  1. Hello everyone, We are planning to shoot a very low budget feature film this summer and I have some questions on the camera set we will use and I hope you can help me on some of the following: 1. The 16:9 sensor on the GH2 + a 2x anamorphic adapter produces a final stretched anamorphic aspect of 3.55. Which would result in (1920x1080)*(2)= 3840x1080. Instead of doing the decompression from 2x, I want to interpret the shot as if pixels would be 1.333 or 1.4587. I know it keeps the image still a little deform but I think I like the look. Whats your technical and/or creative take on it? (SEE IMAGES BELOW) 2. We would project it on standard 2k (2048×1080) DCP cinemas and the final cut would fit into it with a 2048x858 (2.39:1) size movie. Am I right? or does it work in another way? 3. I am currently using Sedna AQ1 for max detail against anamorphic softening against big screen projection. Do you think it will hold enough? Would you sharpen in post? Whats you recommend any other hack? Given this 3 points which would be your opinion on this process? Have any of you seen any gh2 anamorphic content projected in 2k dcp? How does it stand? Thanks for your help! P.D. Anyone selling a Kowa 16-h (8z) In order not to be so limited with the 16D in lens minimum mm´s?
  2. Hi, I have a couple of questions for our next (student) short we will be shooting in the first half of April. At first we wanted to go 16mm (anamorphic), but it's quiet expensive for us. And wide angle anamorphic is a problem with 16mm. We're still thinking about it though. But it's probably going to be the digital way. Now the short is about half and half daylight and nighttime. Probably a bit more at daylight. We're thinking about renting a Red-epic since it's a lot cheaper (than an Alexa). But I'm a bit "scared" for the nighttime shots with the epic. We will be passing neon street lights, in car shots which can get pretty dark, etc. What do you think? Will it be ok? Second question is about post production. We love the (16mm) celluloid organic look, and specially for this film. We were wondering how this is professionally emulated/achieved. Are there a couple of ways? I add professionally since we were thinking about festivals etc. (I read somewhere that adding a random grainy look is okay for youtube videos but not for more serious stuff.) Thanks ahead,
  3. Hi, does anybody know if 35mm x2 anamorphic primes can be used with the Ikonoskop. Like the Lomo PL- anamorphic prime lenses for example? I know I'll need to pillar box. x1.33 or x1.5 hawk anamorphics aren't easily found in my country.
  4. Hello! I have this sharp Kowa for sale: Includes clamp and caps. New. http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=290849706147
  5. Hi, I am looking for an anamorphic Lomo 35 mm with square front. Would prefer the OCT-19 mount but I consider also any OCT-18 available. Please e-mail: hutri@mac.com
  6. I'm a french (indie low budget) film maker and looking for an Iscorama 36 Cinegon anamorphic adapter. I can trade and add money with fast 0.95 lens and other interesting lenses... Send PM to jdlc33@gmail.com Thanks
  7. Used optically correct ANAMORPHIC VIEWFINDER for mounting on Optical viewfinder cameras like KONVAS 35mm motion Picture camera. Starting price is only $90 UN-squeezes image from anamorphic lens. Focusable for image of 35mm frame size from approx.3"-6" from end of front element. Eyepiece glass and front end clean WITH NO scratches or marks. Removable locking collar for connection to Konvas cameras. Tested and works fine on Camera ITEM is being sold inexpensively as only guaranteed to work with KONVAS style russian type viewfinders 'as is' A new collar could possibly be moved, removed or adapted to match other optical eyepiece cameras such as ARRI BL or others. Cannot guarantee fit but discussion from others have indicated that end shaft diameter would fit many other optical viewfinder prism or mirror mounts. With right mount it might also work with electronic viewfinders. being sold on ebay here http://www.ebay.com/...984.m1555.l2649 for any more info send email to info at alamofilms dawt com
  8. diy anamorphic adapter on vimeo:
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