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Panavision and its family of companies return to the EnergaCamerimage International Film Festival from November 9-16 in Torun, Poland, with an immersive, end-to-end experience for attendees. Torun’s newly renovated Karczma Damroki facility, across the street from the Jordanki Festival Center, will be transformed into an interactive festival space called PanaVillage and will showcase the integrated technologies, products, and services from Panavision, Panalux, Light Iron, LEE Filters, and Direct Digital. “We are giving filmmakers the opportunity to experience our broad array of tools in a simulated production environment,” says Kim Snyder, Panavision president and CEO. “Our global team and product experts look forward to engaging with attendees in a hands-on experience with our end-to-end offerings.” At the PanaVillage, guests will interact with Panavision’s complete ecosystem of cameras and lenses, lighting, filters, gels, grip, and remote systems. Visitors will be able to fully control and monitor an 8K Millennium DXL2 large-format camera mounted on a SuperTechno 30 crane, using an innovative new wireless fiber technology with a range of more than a kilometer (0.6 miles). Mounted in front of a Primo 70 lens, Panavision’s LCND filter offers six stops of variable density. Guests can remotely adjust the camera, iris, and LCND filter while monitoring 4K video inside the PanaVillage on a LINK HDR Cart. Panavision and Light Iron’s LINK HDR system, which debuted at Cine Gear Expo Los Angeles earlier this year, is now being utilized on feature and episodic projects. PanaVillage guests will experience how the Panavision LINK HDR cart and Light Iron LINK HDR dailies and finishing services put the power of creating HDR images into the hands of all creatives – including cinematographers, editors, and colorists – throughout the entire imaging chain. While inside the PanaVillage, attendees will have the opportunity to experiment and craft unique looks using the DXL2 camera and the more compact DXL-M system. A selection of large format lenses, including the T1.4 Panaspeeds, will be available to frame the scene. Guests can illuminate the scene and control the lighting with a variety of Panalux and third-party options. LEE Filters’ full collection of lighting gels, including the expanded range of Zircon LED gels, will be available to further modify the scene. PanaVillage visitors will also encounter LEE Filters’ ProGlass CINE IRND range of neutral-density filters and the LEE100, a lightweight, high-performing 100mm photographic filter mount system. Experts from Direct Digital will be on hand to discuss stills and motion rental services. Guests looking to purchase consumables and merchandise can find the Panastore in the main Jordanki Festival Center. Additional micro-workshops hosted by the Panavision group will be programmed throughout the week and real-time details will be shared on Panavision’s social media accounts. This year, Panavision is proud to sponsor a cinematic retrospective from EnergaCamerimage Lifetime Achievement Award recipient John Bailey, ASC. On November 12 at 15:00h at CinemaCity, Bailey will present insights from his impressive career, spanning more than 40 years with credits including Ordinary People, The Big Chill, In the Line of Fire, American Gigolo, A Walk in the Woods, Mishima, and The Accidental Tourist. Panavision’s long-standing relationship with Bailey resulted in the 2004 creation of the AWZ2, or the “Bailey Zoom,” the first modern zoom to use anamorphic elements in front of the lens. For more information about Panavision’s end-to-end offerings, visit www.panavision.com. To learn more about EnergaCamerimage, go to https://camerimage.pl/en/.

Irvine, CA — Nov. 6, 2017. RED Digital Cinema will be showcasing its new cinematic Full Frame sensor for WEAPON cameras, MONSTRO™ 8K VV, at the 25th Camerimage International Film Festival in Bydgoszcz, Poland, from November 11-18. The MONSTRO 8K VV sensor is an evolutionary step beyond the DRAGON 8K VV sensor with improvements in image quality including dynamic range and shadow detail. A WEAPON with MONSTRO 8K VV sensor offers Full Frame lens coverage, captures 8K full format motion at up to 60 fps, produces ultra-detailed 35.4 megapixel stills, and delivers incredibly fast data speeds — up to 300 MB/s. Festival attendees visiting RED’s stand in the Opera Nova Main Foyer will have the opportunity to handle the company’s latest DSMC2® cameras, including WEAPON 8K VV, WEAPON 8K S35 and EPIC-W 8K S35. RED cameras will also be on display at Leica, Cooke, Zeiss, Angeniuex, Hawk and Panavision stands. An official sponsor of Camerimage, RED will also host two seminars at the festival. On Nov. 13, cinematographers Christopher Probst, ASC and Markus Förderer, BVK will discuss “The Future of Digital Formats.” From music videos to feature films and original TV series, Christopher and Markus will share their process for evaluating tools, and approach to choosing a camera and lenses. Attendees will also learn how their progressive filmmaking, combined with the high resolution, large format and flexibility of RED cameras, helped to produce the desired results for their latest endeavors. The seminar will take place at 16:30 in the Miejskie Centrum Kultury (MCK). On Nov. 15, Light Iron Colorist Ian Vertovec and RED’s Dan Duran will discuss RED’s "High Resolution Image Processing Pipeline.” Attendees will learn about the color science behind RED’s Image Processing Pipeline (IPP2), which offers a completely overhauled workflow experience featuring enhancements such as better management of challenging colors, an improved demosaicing algorithm, smoother highlight roll-off, and more. Light Iron will also be featuring modern high resolution workflow, HDR, and its unique color grade used in the Netflix original series, GLOW. The seminar will take place at 16:45 in the Miejskie Centrum Kultury (MCK).

Irvine, CA — November 4, 2016. RED Digital Cinema will be exhibiting at Camerimage International Film Festival in Bydgoszcz, Poland from November 12-19. Those visiting RED’s stand can interact with RED’s DSMC2™ cameras including the newest cameras, RED EPIC-W and WEAPON® 8K S35, which feature RED’s new HELIUM™ sensor. These RED cameras will be featured alongside Dedo Lights and Cooke Optics within the Main Foyer of The Festival Center. This stand will use a mock set displaying the Camerimage Frog Festival Trophies, rarely seen on the exhibit floor or outside the awards. Additional RED EPIC-W cameras will be featured on the Leica and Angenieux stands as well.

WOODLAND HILLS, CA (November 1, 2016) - Panavision, the motion picture industry's most respected designer, manufacturer and provider of state-of-the-art cinema lenses and high-precision camera systems, will showcase many of its newest offerings, including the Millennium DXL 8K Camera and T Series anamorphic lenses at the 2016 edition of the Camerimage International Film Festival, which runs Nov. 12-19 in Bydgoszcz, Poland. Panavision is also presenting two workshops, and exhibiting alongside subsidiaries Light Iron, LEE Filters and Panalux. Unveiled earlier this year, the Panavision Millennium DXL was developed through an unprecedented collaboration of three companies, bringing together large-format optics and modular accessories from Panavision; an 8K sensor from RED Digital Cinema; and new color science and optimized workflow from Light Iron. Presentations on the DXL will take place each day from Nov. 14 through Nov. 17, with demo footage screening at the MCK. The camera is expected to be available in early 2017 for rent exclusively through Panavision facilities worldwide. The company also announces the availability of the Panavision T Series anamorphic lenses. At Panavision's exhibit, attendees will see the product portfolio, ranging in current focal lengths of 35mm, 60mm, 100mm, 135mm, 150mm, and preview the upcoming additions to the lineup in 50mm, 75mm, 180mm. The lenses build on Panavision's long tradition of designing and developing high-quality anamorphic lenses for motion picture. They combine new optical layouts with mechanical advances from the G Series, but have a larger sweet spot and focus closer than some of their predecessors. They are also tuned to be compatible with digital sensors without losing any of the imaging characteristics that have become part of the anamorphic grammar. Camerimage's Lifetime Achievement Award recipient Michael Chapman, ASC will be taking the stage at the MCK on Nov. 15 at 11:00 a.m. CET. This event is a highlight of the festival, which is presented by Panavision. Oscar® nominated for his work on Raging Bull in 1981 and The Fugitive in 1994, Chapman's legacy of film images over four decades places him among the elite of cinematographers. His list of memorable credits includes The Last Detail, Taxi Driver, Invasion of the Body Snatchers, The Lost Boys, Rising Sun, Primal Fear, Space Jam, Six Days Seven Nights, The Story of Us, The Watcher, Evolution, and Eulogy, among many others. Following Chapman's seminar, Panavision's Cinematography Workshop will explore the technical and artistic characteristics of anamorphic and larger format optics. Led by Dan Sasaki, Panavision's VP of Optical Engineering, the workshop will be held Nov. 15 from 2:00 p.m. CET in the MCK. Also on exhibit will be the new Outpost by Panavision, a powerful mobile post-production system for on-set or near-set workflows. Originally developed by Light Iron and refined with Panavision's modular engineering, Outpost's lightweight, compact form factor provides efficient solutions for both creative tasks, such as look setting and processing tasks, including verified backups. Outpost helps creatives maximize their schedules with faster than real-time transcodes and same-day editorial deliverables, even for 8K footage. Like the DXL, Outpost is designed with many details and custom modules that can be configured to each production's needs. LEE Filters, the world's leading manufacturer of professional quality light control filters, will debut their Cine Filters, a new range of glass neutral density camera filters. Also highlighted at the exhibit will be LEE's Zircon Lighting Filters designed for LED lighting with new technology that gives them an increased lifespan of up to 200 times longer than standard lighting filters. Attendees can also pick up the latest copy of the famous LEE yellow swatch book, containing all their color effects filters as well as their full range of technical and diffusion filters for cinematography. Panalux, the leading provider of lighting rental equipment for film, television, and media production, will display their latest in LED lighting technology. The rental and service provider will showcase and demo the lightweight, battery-powered Panalux LED Flex Light and yet-to-be-released soft box accessory. The bi-color, super-slim Panalux LED Flex Light is bendable and portable. The newest accessory to the Flex Light is a quick-assemble, large-format soft box that produces a beautiful, even soft light that makes the low-consumption Flex Light even more versatile. Also on display will be the Panalux Tektile2 slimline LED panels and Panalux NessLED Kit.

Company To Showcase Latest Advancements in Optics for Cinematography WOODLAND HILLS, CA (Nov. 9, 2015) - Panavision, the motion picture industry's most respected designer, manufacturer and provider of state-of-the-art cinema lenses and high-precision camera systems, will host two seminars at the 2015 Camerimage International Film Festival, which runs Nov. 14-21 in Bydgoszcz, Poland. Panavision's Cinematography Workshop will feature demonstrations from Markus Förderer (Stonewall), Eduard Grau, AEC (Suffragette) and Ellen Kuras, ASC (A Little Chaos) shooting various scenes that compare spherical, anamorphic and larger sensor formats. The workshop will be held November 17 from 11:00 to 13:30 in the MCK - Orzel Cinema. Later in the day, festival goers will have a chance to hear from Panavision's Dan Sasaki, VP of Optical Engineering, on the technical and artistic characteristics of Panavision's anamorphic and large format lenses, including Ultra Panavision 70. The discussion, which runs 15:00 to 16:30, will give the audience a chance to see the different aesthetic options, hear about the technical aspects of each format, and ask questions. Both panels will be moderated by industry writer Benjamin B. Camerimage attendees will also have a chance to visit Panavision in the Opera NOVA exhibit area and see an array of optics including a sneak preview of the new T Series anamorphic lenses, which are designed exclusively for digital cameras. Also on display will be an expanded offering of Primo 70 lenses, which are optimized for large sensor digital cameras. Additionally, festival goers will be able to get up close with the Millennium XL "Millennium Falcon" camera used by Dan Mindel BSC, ASC on Star Wars: The Force Awakens, and the Ultra Panavision 70 camera and lenses used by Robert Richardson, ASC on The Hateful Eight.

Leviathan "In a Russian coastal town, Nikolai is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Nikolai and his family." Imdb page http://www.imdb.com/title/tt2802154/ Trailer From Andrey Zvyagintsev (director of Elena and The Return) comes a new movie set in a rural village in Russia. It is such a powerful movie that gets you right in the brain and stays there after having watched it. With a very dense script full of characters which go back and forth, the movie wants to create a sense of closeness with the spectator through them and it does it really well, even with the length of the movie (2.20 hours) your emotions stay there all the time and you don't feel disconnected ever, moreover, you need the movie to keep going and not finish. The script is just amazing, the actors are superb and the way the director manages to get your attention from one to another is very "kubrickish", playing with them within the frame and letting them walk through it and do their actions. Its cinematography is just marvelous, condensed and content, the director knows what he wants and how to show it and Mikhail Krichman (I have the honour of working with in a movie in Ireland right now) shows the places as they are, but with a cinematography touch, let's say that he, as a cinematographer, brings the naturalism to the movie but places little touches that let you know that the light is there because it has to be there. There is a marvelous sequence which I think it is really difficult and starts with the main female character in bed, she gets up, goes to the bathroom and leaves the house. It is easily perceived that there is a light at the beginning and in some other places but it is so well placed that you feel it as if it were normal there. Obviously it is not a single take (which would have been amazing and it matches the director's vision very well) but the way it is cut is flawless. A movie full of long, thought and meditated takes that brings us back the cinema of the Russian realism but with a modern twist. By the way, Mikhail got the 2014 Cameraimage award because of this movie ;). Very highly recommended, even more now that is in Bluray! Have a good day. Best.

Kodak Panel to Focus on the Modern Film Workflow BYDGOSZCZ, Poland - Kodak will host an in-depth conversation with Lol Crawley, BSC and colorist Greg Fisher on November 20 during Camerimage, the international film festival of cinematography. The discussion will focus on the process of choosing an origination format and how that translates to post, as well as address ways to control the look from camera to screen in today's multi-format landscape. Clips from Crawley's award-winning films will be shown, including Mandela: Long Walk to Freedom and Ballast, along with a sneak-peek at his upcoming project. Paul Collard, VP of Film & Digital Services at Deluxe in London, will moderate the session, which takes place at the Opera Nova. A UK native, Crawley's extensive credits include Hyde Park on the Hudson, Four Lions and On the Ice. He won the Cinematography Award at Sundance in 2008 for his work on Ballast. Fisher is based at CO3 London. He has worked on such features as Harry Potter and the Deathly Hallows: Part 2, Hugo, Gravity, and World War Z. Prior to joining CO3, he honed his craft on regional features and commercials at Digital Film Lab, Denmark and Digital Film Finland. "Film remains a strong preference for many filmmakers, and we're excited to hear what these talented artists have to say about creating powerful visual stories," says Kodak's Sam Clark. "We have received tremendous support from the industry this year, making it possible for us to extend the life of film. Through this session, the audience at the festival will take away several compelling reasons that continue to make film a viable choice for creative, technical and economic reasons." For more information about Camerimage, visit www.camerimage.pl, and for more on Kodak motion picture films, go to www.kodak.com/go/motion.

(BYDGOSZCZ, Poland) - Kodak is hosting back-to-back conversations with renowned cinematographers Sean Bobbitt, BSC and Bruno Delbonnel, ASC, AFC at the 21st edition of Camerimage, the international film festival of cinematography, on November 21 at 7:00 (CMT) in the Opera Nova, first floor seminar room. Both Bobbitt and Delbonnel have films competing in the main competition: Steve McQueen's 12 Years a Slave and the Coen brothers' Inside Lewelyn Davis, respectively. Each discussion will be followed by an audience Q&A. Bobbitt, a BAFTA and Emmy® nominee, recently shot Killing the Messenger, The Place Beyond the Pines, 12 Years a Slave, Shame and Hunger. The latter three of those movies were done with McQueen. Delbonnel collaborated with director Jean-Pierre Jeunet on Amelie and A Very Long Engagement, and earned Oscar® nominations for both films. His credits include Dark Shadows, Harry Potter and the Half-Blood Prince, The Cat's Meow, Infamous and Across the Universe, which garnered the Silver Frog at Camerimage in 2007. "Camerimage is a wonderful opportunity for the cinematography community to share ideas and philosophies, as well as celebrate the art itself," says Andrew Evenski, president of Kodak's Entertainment Imaging business. "We are proud to be part of the 20-plus year history of this unique festival." This year's festival opens November 16 with a screening of Saving Mr. Banks which was photographed by John Schwartzman, ASC on Kodak film. For updates on what is happening at the festival, follow Kodak on Facebook and Twitter. For more information about the festival, visit http://www.camerimage.pl, and for more information about Kodak's motion picture films, visit www.kodak.com/go/motion. (Note: All participants are subject to availability) # # # About Kodak's Entertainment Imaging Business Kodak's Entertainment Imaging business is the world leader in providing motion picture film and imaging products, services, and technology for the professional motion picture and exhibition industries. For more information, visit www.kodak.com/go/motion. Media Contacts: ignite strategic communications Sally Christgau: direct 415.238.2254 / sally@ignite.bz Lisa Muldowney: direct 760.212.4130 / lisa@ignite.bz

CAMERIMAGE, the International Film Festival of the Art of Cinematography, has assembled a stellar roster of esteemed individuals from the world of cinema to serve as jurors in its competition categories. Acclaimed directors Jos Stelling and Albert Hughes, and Oscar-nominated cinematographers Caleb Deschanel, Ed Lachman, Tom Stern, Stuart Dryburgh and Jost Vacano are just a few of the celebrated filmmakers who will serve as jurors at the festival, which takes place November 16th - 23rd in Bydgoszcz, Poland. Jury members of the main competition jury are Oscar nominee Tom Stern, cinematographer (Million Dollar Baby, Gran Torino, The Hunger Games); Oscar nominee Ed Lachman, cinematographer (Erin Brockovich, The Virgin Suicides, I'm Not There); Todd McCarthy, journalist and film critic (Visions of Light, Corman's World: Exploits of a Hollywood Rebel); Primetime Emmy nominee Denis Lenoir, cinematographer (Paris, je t'aime, Righteous Kill, 88 Minutes); Adam Holender, cinematographer (Midnight Cowboy, Smoke, Fresh); Timo Salminen, cinematographer (The Man Without a Past, La Havre, The Match Factory Girl); Franz Lustig, cinematographer (Don't Come Knocking, Land of Plenty, Palermo Shooting); and Jeffrey Kimball, cinematographer (Top Gun, Mission: Impossible II, The Expendables). Oscar nominee Jost Vacano, cinematographer of such films as Total Recall, RoboCop and Starship Troopers, is Jury President of the Polish Films Competition. The other jury members are Oscar nominee Stuart Dryburgh, cinematographer (The Piano, Bridget Jones's Diary, The Recruit); Dennis Dembia, Vice President, entertainment PR agency Rogers & Cowan; BAFTA Film Award nominee Michael Seresin, cinematographer (Harry Potter and the Prisoner of Azkaban, Midnight Express, The Life of David Gale); and Primetime Emmy nominee Sean Bobbitt, cinematographer (Shame, 12 Years a Slave, The Place Beyond the Pines). Award-winning director Jos Stelling (The Girl and Death, De wisselwachter, De illusionist) is the Jury President of the Cinematographers Debuts' Competition. Joining him on the jury are Goert Giltay, cinematographer (The Girl and Death, De wisselwachter, The Stone Raft); Reed Morano, cinematographer (Frozen River, Kill Your Darlings, The Magic of Belle Isle); Daniele Nannuzzi, cinematographer (Santa Sangre, Empire, Due partite); and Piotr Kukla, cinematographer (Twin Sisters, The Zookeeper, Bride Flight). Albert Hughes is the Jury President for the Directors Debuts' Competition. Hughes was the co-director of Menace II Society, From Hell and The Book of Eli. The rest of the jury is comprised of Witold Stok, cinematographer (Close My Eyes, Murphy's Law, Best); Steven Fierberg, cinematographer (Love & Other Drugs, Secretary, A Nightmare on Elm Street 4: The Dream Master); Peter Menzies Jr., cinematographer (Die Hard: With a Vengeance, The Incredible Hulk, Shooter); and Jaroslav Kucera, producer (Dark Blue World, Zelary, Up and Down). Barry B. Sandrew, stereographer for films such as Shrek 2, Pirates of the Caribbean: On Stranger Tides and Transformers: Dark of the Moon, is the Jury President for the 3D Competition - the newest addition to the Festival. The other jury members include Markus Lanxinger, stereographer (The Amazing Spider-Man, Texas Chainsaw 3D, The Green Hornet); Matthew R. Blute, editor (Storm Surfers 3D, Stalingrad, Katy Perry: Part of Me); and Glen MacPherson, cinematographer (Rambo, Resident Evil: Afterlife, The Three Musketeers). Overseeing the Students Etudes Competition is Jury President Caleb Deschanel, five-time Oscar nominated cinematographer for films such as The Patriot, The Passion of the Christ and National Treasure. The other jury members are Lech Majewski, director, writer and producer (The Mill and the Cross, Basquait); Phedon Papamichael, cinematographer (The Pursuit of Happyness, The Descendants, Sideways); Tony Lawson, film editor (Barry Lyndon, The Brave One, Straw Dogs); Sergey Trofimov, cinematographer (Night Watch, Mongol: The Rise of Genghis Khan, Day Watch); Daniel Pearl, cinematographer (The Texas Chainsaw Massacre, Friday the 13th, Aliens vs. Predators: Requiem); and Anastas Michos, cinematographer (Born on the Fourth of July, Man on the Moon, Interview with the Vampire: The Vampire Chronicles). Presiding over the Feature Documentary Films Competition is Jury President Joan Churchill, cinematographer and director of Aileen: Life and Death of a Serial Killer, Shut Up & Sing and Kurt & Courtney. Other jury members are Alan Barker, sound editor and cinematographer (Dogtown and Z-Boys, Beyond the Mat, West of Memphis); Primetime Emmy nominee Ewa Ewart, producer and director (Children of Beslan); Martina Radwan, cinematographer (William Kunstler: Disturbing the Universe, Train, Hot Coffee); and Lawrence Grobel, writer and journalist. Jury members for the Short Documentary Films Competition are Jury President Stephen Lighthill, cinematographer (Coming Out Under Fire, Nash Bridges, The Huntress); Jay Rosenblatt, director and cinematographer (A Pregnant Moment, Human Remains, The Smell of Burning Ants); Lorenzo Castore, photographer, director and cinematographer; Rachel Morrison, cinematographer (Fruitvale Station, Sound of My Voice, Any Day Now); and Primetime Emmy nominee Declan Quinn, cinematographer (Leaving Las Vegas, In America, Rachel Getting Married). The Jury President for the Music Videos Competition is Samuel Bayer, director and cinematographer for films and music videos such as A Nightmare on Elm Street, Green Day: Bullet in a Bible and Nirvana's "Smells Like Teen Spirit," The Rolling Stones' "Anybody Seen My Baby?" and Marilyn Manson's "Disposable Teens." Rounding out the jury are Robert Leszczynski, music critic and journalist; Roberto Schaefer, cinematographer (Finding Neverland, The Kite Runner, Quantum of Solace); Stephen Keith - ROACH, cinematographer (music videos for talents Radiohead, Jamiroquai, Robbie Williams, Tina Turner, U2 and many others); Daniel Pearl, cinematographer (The Texas Chainsaw Massacre, Friday the 13th, Aliens vs. Predators: Requiem); and Andrzej Smolik, musician. CAMERIMAGE's prestigious Golden Frog, Silver Frog and Bronze Frog awards will be bestowed upon competition titles representing the greatest achievements in cinematography. The festival runs from November 16th - 23rd in Bydgoszcz, Poland. http://www.camerimage.pl/

BYDGOSZCZ, Poland (November 19, 2012) – Kodak is hosting a discussion with cinematographer Mihai Malaimare Jr. at Plus Camerimage, the international film festival of the art of cinematography, on November 28 at 15:30 (3:30pm) at the Opera Nova, first floor seminar room. Festival attendees will hear first-hand why Malaimare and director Paul Thomas Anderson chose to shoot 85% of the critically-acclaimed movie on the 65mm film format and project it on 70mm in select theaters. Immediately following the conversation, Kodak will showcase their new Asset Protection Film portfolio, which includes two color and one black-and-white separation film optimized for recording images from the digital workflow back to film. As the only proven archival medium, Kodak has responded to customers’ needs by developing innovative options for independent filmmakers, broadcasters, documentarians, as well as studios, to preserve their assets for decades. KODAK Color Asset Protection Film 2332 is optimized for content owners who originate or finish their productions on digital formats and want to protect their valuable media for the future. The brand-new KODAK VISION3 Digital Separation Film 2237 is an archival stock for preserving images from color digital masters and is optimized for laser, CRT and LED light sources utilized by digital recorders in the marketplace. Paul Collard from London-based Deluxe 142 will also join Kodak to share his thoughts on the importance of archiving on film, based his experience with many restoration projects over the years. “Kodak has participated and supported the Plus Camerimage festival since its inception in 1993 because of the unique global forum it provides filmmakers to discuss issues and share ideas,” says Kodak’s Kai Langner, Regional Sales Director and Vice President for the Entertainment Imaging division in Europe, Africa and the Middle East. “The festival draws a large number of cinematographers and students from all over the world, which gives us a great opportunity to show them how committed we are to innovating motion picture technology. We are proud to be part of the 20 year history of the festival, and look forward to many more.” For updates on what is happening at the festival, follow Kodak on Facebook and Twitter. For more information about the festival, visit http://www.pluscamerimage.pl, and for more information about Kodak visit www.kodak.com/go/motion.