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For Sale: NEW LISTINGS: Canon K35 Lens Set Includes:K35 TLS 18mm T1.5 K35 TLS 24mm T1.6 K35 TLS 35mm T1.3 K35 TLS 55mm T1.3 K35 TLS 85mm T1.3 FD TLS 14mm T2.8 FD TLS 100mm T2 FD TLS 135mm T2Arri Alexa Mini Package ARRI Certified, License-RAW,4:3,Library Hr-3224 $47K Arri Alexa Mini Package Licenses- RAW & 4:3 Hr- 2423 $45K Arri Alexa Mini Package Licenses- RAW & 4:3 Hr. 4946 $39K ARRI UWZ 9.5-18mm T2.9 Ultra Wide Zoom Lens $36KArri/Zeiss Master Primes Lens Set Includes:14/18/21/25/27/32/35/40/50/65/75/100/135/150mmServicevision Scorpio FF 2x Anamorphic T2.2 Set Includes: 35,40,50,75,100mm Atlas Orion A Set 40/65/100mm w/PL Expander To Use On FF SensorsCINEMA LENSES:Kowa Anamorphic Set Rehoused P&S Technik Includes: 40/50/75/100mm $79KCooke Anamorphic Set Includes: 25/32/40/50/75/100mm $140KCooke Anamorphic Set Includes: 32/50/75/100mm $108KCooke S4 Lens Set: 14/18/21/25/32/40/50/75/100/135mm Metric & ImperialCooke S4/i Mini Panchro Lens Set Includes: 18/25/32/50/75/100mm $34KCooke Speed Panchro TLS Rehoused Set Includes: 18/25/32/40/50/75/100mm $68KCooke Speed Panchro Set P&S Rehoused Includes: 18/25/32/40/50/75/100mm $44K Cooke 25-250 Varotal MKIII T3.5 Zoom Lens Cooke 20-100mm Varotal T3.1 Zoom Lens Cooke Anamorphic Macro 65mm LensArri Signature Primes Lens Set Includes: 21/29/40/58/75/125mm Arri/Zeiss Master Primes Lens Set Includes:14/18/21/25/27/32/35/40/50/65/75/100/135/150mmArri /Zeiss Master Prime Lens Set Includes: 18/21/25/32/35/40/50/65/75/100/150mm Arri/Zeiss Master Prime Lens Set Includes: 18/21//25/32/40/50/75/100mm Metric Arri/Zeiss Master Prime Lens Set Includes: 18/25/32/40/50/75/100mm $145K Arri/Zeiss Master Prime Lens Set Includes: 18/25/35/50/75mm $82KArri/Zeiss Master Prime 100mm New Condition $25K Arri/Zeiss MasterPrime 27mm $18KArri/Zeiss Master Anamorphic 28mm Flare Set NEW Cooke 100mm Macro LensArri Ultra Prime Lens Set Includes: 10/14/16/24/35/40/50/65/85/100/135/180mm Ft. $125K Arri Ultra Prime Lens Set Includes:10/14/16/2x20/24/28/32/40/50/65/85/100/135mm Metric Arri Ultra Primes Lens Set Includes: 16/24/32/50/75/100mm $44KArri/Fujinon Alura 30-80mm & 15-40mm Zoom Lenses Sold As A Pair Arri /Fujinon Alura 18-80mm Zoom Lens $14KLomo 40-120 Front Element Anamorphic Zoom T3 $30KLeica Thalia Lens Set Includes: 30/35/45/70/100/180mmLeica Summilux-C Set Includes: 16/18/21/25/29/35/40/50/65/75/100/135mmLeica Summilux-C Set Includes: 18/21/25/29/35/40/50/65/75/100mm T1.4 Leica Summicron-C Set Includes: 18/21/25/29/35/50/75/100/135mm $80K Angenieux Optimo Zoom 24-290 Zoom LensAngenieux Optimo Style 25-250mm PL Mount $28KAngenieux Optimo Zoom 28-340mm Lens $52K Angenieux Optimo Anamorphic 56-152mm Zoom Lens Angenieux Optimo 19.5-94mm Zoom Lens $42KAngenieux Optimo 28-76mm Zoom Lens $21KAngenieux Optimo 17-80mm Zoom LensAngenieux Optimo DP 16-42 Zoom Lens $7,500Angenieux Optimo DP 30-80 Zoom LensCanon Cine Prime Lens Set Includes: 14/24/35/50/85/135mm EF MountZeiss Variable Primes 3 Lens Set Includes VP1,VP2,VP3 PL Mount Zeiss MK3 SS Set Uncoated Includes: 18/25/35/50/85/135(T2)Zeiss MK3 SS Set Includes: 18/25/35/50/85mm (35 is MKII) $68KZeiss B-Speed MKI Opton Series Set Includes: 18/25/2x35/50/2x85/135mm Pl AdapterZeiss CP2 Lens Set Includes: 15/18/21/25/28/35/50/85/100/135mm $26K Zeiss CP2 Lens Set Includes: 15/18/21/25/28/35/50/85mm EF & PL $21KZeiss CP2 Lens Set Includes:15,21,28,35,50,85,135mm PL & EF Mounts,Shims & Cases $16,500 Zeiss CP2 Lens Set Includes: 21/35/50/85mm EF & PL Mounts $10,500Zeiss Standard T2.1 135 & 180mm $6,500 EachFujinon 24-180mm T2.6 Premier PL MountFujinon HK18-85mm T2.0 Premier $47K Fujinon Cabrio 25-300mm Includes: Duclos Handle,Rods,Case $34,500 Fujinon Cabrio 85-300mm Zoom Lens Fujinon Cabrio 19-90mm Zoom Lens Fujinon Cabrio 14-35mm Like New Condition Specility LensesP+S Technik T-Rex Optex Borescope (old version) Canon FD 200mm T1.8 PL Canon FD 300mm T2.8 PL Canon FD 800 5.6 PLLENSES MISC. Canon 40x10B IASD-V HD B4 Full Servo Controls & Case $22K Red Pro Zoom18-85mm Lens T2.9 Excellent Condition $2,900CAMERAS:Arri Alexa Mini Package ARRI Certified, License RAW,4:3,Library Hr-3224 $47K Arri Alexa Mini Package Licenses- RAW & 4:3 Hr- 2423 $45K Arri Alexa Mini Package Licenses- RAW & 4:3 Hr. 4946 $39KArri Alexa Mini Package Includes Look Library License, Hours- 3900 $37K Arri Amira Premium 4K Camera Package Hours- 1550 $24KArri Alexa SXT Plus Camera PackageArri Alexa XT Studio Camera Package $22KArri Alexa XT & XT Plus Camera PackagesArri Alexa Plus Extreme Bundle Camera Package $20KRed Helium 8K Camera Packages Phantom Flex 4K 64GB Package $80KPhantom Flex 2K 32GB Package $30K Phantom Flex 2K 32GB Package $20KPhantom Miro 320S Camera Package $17KPanasonic Varicam 35 PackageCanon EOS C700 FF Camera Package 2 Packages Available $14K EachSony FS700 w/Odyssey 7Q+ RAW Bundle Includes: Lenses Email For DetailsSony FS7 MKII Camera Package Fuji GFX 100 Mirrorless Camera NEWPanasonic AU-EVA-1 Camera Package16mm/35mm FILM CAMERAS: Arriflex SR-II P&S TECHNIK Evolution 200FPS Variable Shutter Arriflex 435 Xtreme KitArriflex 435ES 4 Perf Camera Package Complete Kit Excellent ConditionArriflex 435ES 4 Perf Kit Arriflex 535B 4 Perf Kit Arriflex BL4 Camera PackageMoviecam Compact MK2 3 & 4 Perf Kit $21KMoviecam SL 4 Perf Super 35 Camera Package Kinor 35H Has Upgraded Electronics Package & Video Tap $5KS16/16mm FILM LENSES:Zeiss S16 SS MKIII Lens Set Includes: 9.5/12/16/25/50mm $15KZeiss Ultra 16 Lenses 8mm/9.5mm/12mm $15K Zeiss S16 High Speed 9.5 T1.3 MKII $9KZeiss S16 Vario 11-110mm T2.2 Zoom Lens $4,500Zeiss 10-100 T2 MKII 16mm B Mount $3,800Century 2000-S16 6mm T1.9 w.4.5mm Converter Cooke Varokinetal 10-4-52mm T2.8 S16 Zoom LensCooke SK4 S16 Lenses 6mm & 12mm $11K Canon 7-63mm S16 T2.6 Zoom Lens $5,500 Canon 11-165mm T2.5 S16 Zoom Lens Optex 5.5mm S16 Lens SERVER Haivision Server Media Platform Workgroup -5 Model # S-HMP-WG5-1MISCELLANEOUS / AKS Hawk-Woods Charger RP-4x4 V-Lock 4 Pin Qty.-4 Available Kino Flo Freestyle 21 LED DMX Interview Kit NEW IN BOX Freefly Movi Pro System Many Extras $15,500 Teredek Bolt 300 Pro Wireless Transmitter/Receiver Set w/Case DJI Focus Handset Kit w/Case Arri FF5 Follow Focus Cine Set Pro System (Email For Details) Arri SMB-2 Tilt Matte Box System w/ Case (Email For Details) NEW Matthews 35" Slider With CaseSachtler Video 20 Tripod System Sachtler Video 18 Tripod System O'Connor Ultimate 2560 Tripod System: HD Tall & HD Baby Legs,Floor Spreader,Cases O'Connor 55L CF 2 Stage HD Tripod Legs,Mitchell Base, Floor Spreader Vinten Quartz Stage 1 Pedestal Vinten Quartz Stage 2 PedestalStudio Network Solutions 8 Bay EVO W/ 48TB Raw Storage Email For DetailsService Vision Scorpio 12 Ft. Motorized Arm w/2 & 6 ft. Sections Support Kit- Tangerine 4x5 Matt Box,Tilta Follow Focus,Filter Kit & Case Qty.-500 50GB Unused XD CAM Disks For F800Looking For : (Preowned) To PurchaseCanon 6.6-66mm LensCooke Varotal 18-100mm T3 Zoom LensLomo Anamorphic Round Front 50mm & 75mm Lomo Round Front Super Speed Singles Arriflex Panspheron Made For Zeiss 18mm SS Cooke SF 50mm Innovision Probe HD Or Probe II CineMagic Revolution Lens Arri Ultra S16 Primes 18/25/35/50mm Arri/Zeiss Master Prime 65/100/150mm ARRI SRH-360 / SRH-3 Stabilized Remote HeadPhantom Flex 2K 16 & 32GB

Anywhere you look online, it is stated that Canon K35 lenses were used for Aliens, but I recently had a back and forth with someone in the "Anamorphic Shooters" facebook group that piqued my curiosity. I haven't seen any mention of this in the forums, so I'm interested in what info anyone might have aside from this seemingly sensible hearsay: (names removed) "Aliens was shot on Panavision lenses, most likely rehoused Zeiss HS optics. The K35s story is an internet myth, one that is repeated as gospel by most rehousing and hire companies. The K35s were used simply on the b-camera for cutaways." Me - "Really? I can’t find any source that says that, how do you know?" "A guy I know worked with Adrian Biddle on a commercial project before his death. K35s were not highly regarded lenses until 10 years ago... no one wanted them and there is no way 20th Century Fox would ever let an entire blockbuster with a budget of 18 million be shot on them. Adrian Biddle replaced veteran Dick Bush who was fired by James Cameron. Bush was a very old school DP and there's no way on earth he'd not used Panavison lenses. Aliens was Biddles first movie as a DP and he'd never have been able to send back a full Panavision lens set and replace them with K35s. They had a short schedule and since no one wanted the K35s Biddles was able to get them cheap and have them used on the B-camera for additional coverage. The internet and especially rental houses listings are full of half truths... and myths ... the reality is... a huge number of movies simply used Panavision glass. Panavision were rehousing lenses since the 1950s and still are... and in that time have used Bausch & Lomb, Nikon, Leica and especially Zeiss optics as the basis for their lenses. If you believe the internet: Hitchcocks, "The Birds" was shot on SuperBaltars... even though the movie came out in 1962 and the lenses were released in 1966/67. The Godfather was shot on SuperBaltars... even though a good portion of the lens was shot on Gordon Willis' custom made Panavision 40mm. American Hustle was shot on K35s... well half true, the original casings were so useless they were quickly replaced by Zeiss Superspeeds. Kubrick used K35 on Barry Lyndon... not true... he used an early Canon FD specially rehoused. Aliens being shot on the K35s is yet another one of those myths. In their original unrehoused form they were a pain and in fact 10 years ago a case of lenses would cost you about 5k. ...the K35s are very popular now... but never were at the time... even though they did win an Oscar. All but the 18 and 35mm are basically rehoused FDs (with some improvements to the coatings) which is why they cover a LF sensor. The truth about lens choices pre digital... often it was a lot less sexy and complicated than we think... it was what was there, what worked and what gave the sharpest image on 35mm film. Plus the most reliable mechanics... and that was part of the K35s downfall... and their uneven focus throws. you might find this piece worth a read. Gregory Irwin who worked on American Hustle also AC'd on Joker, Interstellar... his credits list is huge."

SOLD For Sale : Canon K35 Lens Set. 18 T1.5, 24 T1.3, 35 T1.3, 55 T1.3 & 85mm T1.3. Original Housing. PL Mount. Imperial. Contact sales@broadcastsolutions.com for pricing and details.

Hi All, I'm a new member but have been reading this forum for years. I'm a 25 year old budding cinematographer from South Africa. After fulfilling AC & operator roles across the spectrum for the past years, I've recently had the privilege to land work as a cinematographer and/or director on large release Music Videos & commercials. Basically I want to improve my personal rig to shoot more narrative passion projects. I have a great Contax Zeiss set but it has one problem. When shooting S35 format, the lenses wider than a 35mm don't perform well enough in terms of speed & range. They suit the full frame format well, but I feel I can do better for my personal, passion project rig comprising of a fuji X-t2. After doing a bit of research, I realised that a new Canon FD set might be right for me. I know they're also full frame lenses, but spec wise, they do perform better than the Contax Zeiss's on the wider side of things. I love the look of the K35 lenses and apparently the FD's might be something similar? I'm thinking of starting with the set of 20mm f2.8 24mm f2, 35mm f2, & 50mm f1.2L. In a nutshell, what's your take on using the FD lenses for narrative filmmaking and does anyone have advice on which ones to buy?

Pictures available via email request. Canon K35/FD Prime Lens Set of 7 = $265,000 ***Rehoused by True Lens Services*** - Includes: 14mm T2.8, 18mm T1.5, 24mm T1.6, 35mm T1.4, 55mm T1.4, 85mm T1.4, & 135mm T2.0

Hey everyone! First time poster and relatively new member to the boards. Was trying to rack my brain around on this and figured it'd be worth a shot asking here. I'm preparing to direct/shoot a music video next weekend, and I need some advice on choosing a diffusion/beauty filter set. Plan is to shoot on the Alexa with a K-35 25-120mm Macro Zoom (as well as a 14mm Canon Optex if we really need the width). Utilizing HMIs and some Astras for the lighting package. I wanted to give the video an older film feel to the image, which I'm aiming to do via the lenses and using harder lighting via the larger HMIs. I also wanted to use some beauty/diffusion filters for the last touch, since I'm a big fan of in camera filtration as opposed to post. I'm currently torn between two choices, either the Soft FX series or the Mitchell Diffusion series. Now there are a TON of videos online which help show the effects of Soft FX, and to be frank it seems like a great choice for flattering the talent, while still mainting some sharpness (not to mention they don't seem to go super crazy with the halation around sources in frame). But since I wanted to give an older feel to this video, I thought about maybe going with some older vintage filters. This led me to learning about the Mitchell Diffusion series (Strengths A-E). I like the idea of using older diffusion filters, but I'm worried because for the life of me I cannot find any relevant info online about them, save for a really unsatisfactory test on Vimeo. I emailed Stan at the Filter Gallery here in NYC about it, and he mentioned that Soft FX has oval shaped lenslets, while the Mitchell series have a ripple effect. Has anyone ever used the Mitchell diffusion before? I'd love to hear some first had experiences with them, or if possible see something shot with them. Even some screen grabs will do. I'm going on Wednesday to check them out in person but I wanted to see if anyone here had any relevant info to share. Thanks!

Hi. Looking for K35 single lenses and K35 zooms. Let me know if you have any for sale. Thanks so much!

Need a 18mm k35 canon any condition as single. Gabriel