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Found 2 results

  1. Just did an awesome workshop in NYC with MONO NO AWARE where through the magic of cross processing, we got color reversal from 500T! There's a small amount of info online about it but essentially we shot 500T rolls on Super 8 cameras that only meter up to 160T and without the daylight filter engaged, shot the film. So basically exposing it about 1 2/3 stop over what it normally should be. Apparently this is necessary to get the right exposure for this unorthodox method. Then we developed the film in a LOMO tank with a Tetenal E6 kit and some adjusted times. Then once it was developed, we p
  2. Hey crew, Hope this isn't against any rules but figured if there was ever an audience for this, it's everyone here. So I just wanted to spread the word and ask for help for an amazing cinema arts organization here in NYC. It's called Mono No Aware and its director, Steve Cossman, has been running really fantastic 8mm and 16mm film based workshops and screenings in NYC and honestly all over the country and world for 10 years now. Most of those workshops have been out of its directors apartment in Brooklyn as well as NYC-based community darkrooms. I just want to be clear... I don't work
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