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Showing results for tags 'Sony a7s'.
I just read an article (http://nofilmschool.com/2016/02/cameras-used-sundance-2016-filmmakers-why) about the cameras used by DOP for the films at Sundance 2016, I notice there’re a bunch of film shot entirely or partially with BlackMagic, and cameras such as 7D, 5D Mark3 and C100. I see there’s no Sony a7 series cameras being used. What do you think you guys about the new Sony a6300 expected for march 2016? could it live up to be a camera for low budget film, with external record? being the internal sampling 4:2:0? what could the market be for it? or why would people prefer something like Black Magic and 5D Mark 3? Someone out here who shoots with the Sony a7 series and prefer it over something like BlackMagic? I’d love to hear any personal experience :) it’d be cool to open a discussion over these cameras
I'll be shooting soon a short film (as DP), and I only have a small amount of choices in term of which camera I can use. I was wondering if anyone has personal experience to share as for how these cameras work in a low key light system, which of these cameras render the black at the best, with which one we can play with sort of gamma settings so as we can get a good latitude? I also have the opportunity to work with Panasonic AF101, but I don't like codec so much beside the fact it crashes the highlights very quickly and can't go beyond 2 stops 2 stops and a half in the blacks, so I was wondering if actually opt to shot with a DSLR. Any ideas? What about how each of them react in a low light situation, if I have to compare these cameras? CANON 5D Mark3 SONY A7s AF101 thank you so much!
How does the A7s and the BMCC compare against each other? Because I've just joined on as the DoP to shoot a feature on a BMCC, but given the nature of the film (shooting most of the time late at night), am wondering if a Sony A7s is better. Am curious about some direct comparisons between an A7S and a BMCC at night, and how they'd be able to grade, and how they'd be used in practise with lighting set ups (as if we can use a smaller lighting kit, that might help mitigate some of the cost of an A7S), their look, etc. As if so, I might then recommend to the director trying to find space in the tiny budget to switch to a Sony A7S instead. What I really wish Sony would do is make something like an A7S version of the Sony A5100. So perhaps an APS-C version with merely a 5 megapixel sensor and the same amazing low light performance as the A7S but with the cheap price of the A5100! As I don't need a "full frame" sensor, neither do I need more than 5 megapixels so as to have enough for 4K video. I'm content with 1080p.(after all, even with the A7s, most are not shooting 4K because it doesn't do internal 4K) Unfortunately I don't think a 5 megapixel camera would go down well at all with the typical 2014 consumer, even though I've shot plenty with my old Nikon D50 which was only 6 megapixels. So I think 5 megapixels would do just fine for casual photography, especially as it would be a very very good 5 megapixels. (plus of course I wouldn't be getting it for photography, but video)