Jump to content

Search the Community

Showing results for tags 'Widescreen'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...

Date Created

  • Start


Last Updated

  • Start


Filter by number of...


  • Start





My Gear


Found 2 results

  1. Hi group, Just came up with an idea - and I am sure I'm not the first one, because it's kind of obvious: Why not thinking about "Ultra 8mm"? All it needs is a sprocket hole offset so it coincides with the frame line. Since Max 8 (Super Duper 8) is a "camera only" format, there should be no reason not to include the Super 8mm equivalent of "Ultra 16mm": Simply (= when constructing a new camera) expand the film gate to the entire usable width of film with the option for a sprocket hole offset (shifting the pulldown claw mechanism vertically by half a frame)? Sure: the Super 8mm sprocket hole is quite "high" and sandwiching an image between these would leave quite some wasted space. There's also the issue with the film code printed between sprocket holes. But it might be a good idea for shooting something resembling anamorphic widescreen. Sure: cropping needs to be as tight as possible and the film gate needs to be very clean: no headroom. Has this option been considered already? I attached a crude line drawing I made over the the Wikipedia image, showing two adjacent frames of the "Ultra 8mm" image. Just thought I'd share this. Hope it's not redundant. Thoughts? Christian
  2. I'm throwing ideas out because I'm interested in shooting 2.39 with standard 16mm film, which would thus require 2x Anamorphic Lenses with a 1.19 Frame on a standard 16mm strip, specifically this means fitting the largest 1.19:1 rectangle possible on 16mm, single perf or double, whichever gives more room efficiently without compromising steady feed. 1. Is it possible? 2. Who could manufacture such a film? 3. What would it cost? Thanks for reading this madness. -Steven
  • Create New...