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Hi everyone, I'm writing to you because I'd need your hellion my Arri 2C. I just got it and measured the door to see it was Super35 4 perf full aperture but the ground glass has the size of academy anamorphic. It came also with another ground glass, the size of academy anamorphic but with the 1.85 lines. I actually did a test shoot this past without thinking the ground glass would actually be different. So I framed with this academy 1.85 glass to a S35 door. Since it's only a test shoot, it's not too bad but I would love to know your opinion on this one as it seems pretty weird. Any thoughts ? I have a small commercial to come and we need the product to be 1.85 so I was wondering how to frame with this ground glass since I will be doing an extraction from the S35 frame. Thanks so much ! Ben
ACES Panel at Cine Gear
Jill Wilk posted a topic in General DiscussionWHAT: 2015 Cine Gear Expo ACES Panel WHEN: Saturday, June 6th, 10:15 to 11:30AM WHERE: Sherry Lansing Theater, Paramount Studios DESCRIPTION: After years of research and development, ACES 1.0 has arrived. ACES enables DPs and directors to preserve the on-set creative intent and carry it into dailies, editorial, VFX, the DI and on into archiving. It does this, in large part, by addressing many of the long-standing color management issues facing today’s productions. Hear from hands-on filmmakers and technologists how ACES came into being, why it is important and how it impacts the creative and practical production process. Gain insight into how ACES can help simplify workflows, solve color reproduction issues on a wide range of displays, facilitate the integration of footage from multiple camera models and lenses, and provide a single color management standard. PANELISTS: Curtis Clark, ASC - director of photography; chairman, ASC Technology Committee; recipient, AMPAS Scientific and Technical Achievement Award (ASC-CDL); recipient, ASC Presidents Award Theo van de Sande, ASC - director of photography Award; nominee, 2014 ASC Award (“Deliverance Creek”) Bobby Maruvada - digital imaging technician and colorist John Daro - digital intermediate colorist, FotoKem (“Deliverence Creek”) Ray Feeney - ACES Project Committee co-chair, AMPAS MODERATOR: Mark Weingartner – VFX director of photography; chair, ICG National Training Committee; member, ASC Technology Committee Presented by ICG and ASC Technology Committee, in cooperation with the Academy of Motion Picture Arts & Sciences