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Meet the Gaffer's Luke Seerveld compares the diffused light quality and output from the ARRI M18, K5600 Joker 800 and a couple of Aputure 600d Pro's using 1/2-grid diffusion through a frame and an Octabank. Don't forget to show some love in the YouTube comments.

Light Modifiers Rental "Your friendly Midwestern lighting guys" Address: 2414 West Cullerton Chicago, IL 60608 Email: bookings@lightmodrents.com Phone: 773-940-2654 Website: https://www.lightmodrents.com Description: Light Modifiers has been proudly serving Chicagoland and the Midwest for over 6 years, providing exceptional film and television lighting services with friendly union and non-union professionals. With the business growing just as fast as the Chicago Film Industry, Light Modifiers wanted to help serve our clientele by expanding to a full blown rental house. In 2018, Light Modifiers Rental was born to best support the great filmmakers of the Midwest. Today, Light Modifiers Rental isn't just a rental house nor a lighting company, but a valuable resource for media and entertainment production.

Hey guys, I wanted to get your thoughts and input on what I am thinking of doing here. I have been a commercial still photographer for years, but have been shooting on the Red a lot this past year for both client and personal work. Unfortunately my DP who gives me access to his gear is moving to North Carolina, so I decided to bring these capabilities in-house. I'm building out a full cinema kit and want to be able to shoot action (I shoot a lot of athletes commercially) and shorts that I do for self promotion. I tend to like dramatic lighting and punchy contrast. So now that you have the background, on to the fun stuff! Here is what I am thinking of getting to outfit my kit: Joker2 1600 w kit (with all the various lenses and stuff) Joker2 800 jo-leko with source four Jr zoom ellipsoidal 25-50 4 Aputure f7 lights for any additional accenting or space lighting So what do you think? And just to explain my thought process, I am going with the cheap aputures because that way I can put more of my budget into my larger workhorse lights. They are also small and can operate with a battery, which let's you stick them anywhere without any issues. Their light is variable too, so I don't think it would create any issues as far as matching the Jokers goes. So anyway, those are my thoughts. Looking forward to hearing what y'all think and thank you in advance for your input!

Hey everyone, This is my first real post on this forum so bare with me. I've come here for a few years when I have questions but have always found the answers without needing to make an account. Anyways... Like some of you guys, I bought into the hype around the Aputure 300d about a year ago. I own and operate a lighting rental company here in Phoenix and the promise that this LED could potentially replace some of the smaller HMI's we generally use was enticing. Not long after using the fixture for the first time, a huge design fault became apparent, as I'm sure it became apparent to a lot of others. So I decided to do something about it. After a few sketches on the back of a call sheet and a few hours in Solidworks, I came up with a pretty decent work around. The issue that faces this fixture, as well as a lot of other LED's is the shear amount of junk you end up hanging off the bottom knuckle of a stand. The bracket I designed helps to tidy up the cable management as well as keeps the components close so they can clamp to a stand via a mafer clamp. After getting my first prototype back from the machine shop, I was finally able to release the kickstarter with an effort to pre-sell a decent amount of them, with my goal being what the machine shops minimum order quantity was. We surpassed our goal within the first 48 hours. So I'm sharing the project with you guys to try and broaden our reach. Thanks for checking it out. https://www.kickstarter.com/projects/thundergrip/thunder-grip-aputure-300d-dimmer-bracket?ref=creat