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Here is the old 1942 16mm Kodachrome home movie I just scanned... https://archive.org/search.php?query=Sooner+or+Later+Y'all+End+Up+on+eBay The title came from a discussion they were having on a film collectors forum. One guy didn't like eBay, he wanted to buy film from yard sales. He was complaining he could find projectors, but he could not find any old films. I told him he has to suck it up and go to eBay. The pickers descend on estate sales at the crack of dawn, they gobble up old photos and any films and boom...Sooner or Later Y'all End Up on eBay! The scan is also an example of what the Retroscan can do. It is pretty much a raw scan. No image stabilization. Just slight color grading as Movavi software is not the best for color grading.
The Hollywood Professional Association (HPA) Awards Committee has announced that the organization’s prestigious Judges Award for Creativity and Innovation will honor the documentary film They Shall Not Grow Old. The award, whose recipient is selected by a distinguished jury of industry luminaries, was conceived to recognize companies and individuals who have demonstrated excellence, whether in the development of workflow, process or project to support creative storytelling, or in technical innovation. The coveted distinction will be bestowed on November 21, 2019 at the 14th annual HPA Awards gala at the Skirball Cultural Center in Los Angeles. They Shall Not Grow Old (2018) is a documentary film directed and produced by Peter Jackson through WingNut Films. Imperial War Museum (IWM) Director General Diane Lees approached Jackson to help shine a light on overlooked footage from the first World War. Alongside his collaborators at WingNut Films and Park Road Post Production, Jackson spent several months considering how to proceed, finally coming to the decision that they would use the words of the British soldiers. The team listened to over 600 hours of audio interviews conducted decades earlier to pull together the common experience of a soldier at war. The film was created using original, mostly unseen footage of World War I gathered from the IWM archive, and audio from BBC and IWM interviews of British soldiers who fought in the War. Comprising footage that is now 100 years old, They Shall Not Grow Old is an emotional and enlightening vision of the experiences of the soldiers who fought. Jackson went to great lengths to ensure every sound heard in the film was as accurate as possible – from the roar of gunfire to the subtle sounds that webbing makes as it rubs against the body. Wherever possible, the actual items, whether original or replica, were used for Foley and dubbing. Footage shot in 1914 – 1919 was silent, so to give the onscreen soldiers a voice, forensic lip readers reconstructed the dialogue and actors were hired for ADR who spoke with the same accents and dialects as those in the footage, regionally identified by their uniform badges. Jackson’s skillful use of archival elements has created not just an emotionally powerful film, but a new storytelling approach to archival footage. Peter Jackson commented, “I am thrilled that the HPA has honoured They Shall Not Grow Old with the Judges Award for Creativity and Innovation. This project was a labour of love for all involved. We set out to find a way to let soldiers of the Great War speak directly to audiences 100 years later - and it’s been very satisfying to see that so many people have listened to them. This global conflict is not ancient history, and there are numerous lessons to be learnt from it, especially today.” The Creativity & Innovation jury, helmed by co-chairs Carolyn Giardina and Joachim Zell, issued a statement saying, “The Jury felt that unique creative and technical innovation was applied to the production, to bring the brutality of war, as well as communicate the strength of the human spirit, to modern audiences. The work involved respectful use of historical material while finding new audiences for these archives.” In addition to Giardina and Zell, jury members included Scott Gershin, Andrea Kalas, JoAnne Kim, and Kees van Oostrum, ASC. In addition to the Judges Award for Creativity and Innovation, the HPA Awards will recognize excellence in 12 craft categories including color grading, editing, sound and visual effects during the gala on November 21, 2019. As announced earlier, the HPA Lifetime Achievement Award will be presented to Robert Legato and the winners of the HPA Engineering Excellence Awards will be recognized. The HPA Awards gala ceremony is a sold-out affair and early ticket purchase is encouraged. Tickets for the HPA Awards are on sale now, online at www.hpaonline.com or by calling +1 (818) 273-1482. For sponsorship information, contact Joyce Cataldo at email@example.com. More information about the HPA Awards and the Hollywood Professional Association can be found at www.hpaonline.com. The HPA Awards take place with the support of diamond title sponsor Blackmagic Design, platinum sponsor IMAX; bronze sponsor Fox Post Production Services; supporting sponsors DTS, EFilm, FuseFX, Picture Shop, and Pixelogic; and star sponsor Signiant.
The Association of Moving Image Archivists (AMIA) has announced a robust program for its annual conference, which brings together over 600 experts to share perspectives on the latest methodologies and technologies being used in the acquisition, preservation, restoration, exhibition and use of audiovisual media. The event runs Nov. 30 to Dec. 2 at the InterContinental New Orleans, and is preceded by two days of workshops, including a Community Archiving Fair, a Hack Day, and a presentation of The Reel Thing, a technical symposium that explores recent restoration projects. A detailed schedule and session descriptions can be found on the AMIA conference website: www.amiaconference.net. Over 40 seminars will address topics such as the management of efficient transfer and migration workflows; strategies for licensing archives; updates on tools and processes in annotation, metadata, and modeling; approaches for handling and protecting rare elements; and case studies on the preservation of important analog and digital collections. Screenings will include AMIA’s Archival Screening Night – a program of rarely seen clips from archives around the world; “Dawson City: Frozen in Time” followed by a Q&A with director Bill Morrison; and “Reel Bad Arabs: How Hollywood Vilifies a People,” a documentary offering devastating insights into the origins of stereotypic images and their development at key points in U.S. history. This year, AMIA shines a spotlight on efforts being made to preserve and provide access to underrepresented archives. Specialists from Smithsonian’s National Museum of African American History and Culture, the Asian/Pacific American Institute, Israel Film Archive, Jack G. Shaheen Collection and the Shoah Foundation, to name a few, will share their experiences and offer their expertise. Highlights include: · The New Preservationists: How Documentary Filmmakers are Excavating Rare Media Artifacts to Tell Their Stories – A new emphasis on archival-based programming from Netflix, Amazon, HBO, Hulu, ESPN, and other international players has shined a new light on archives. With Academy Award® and Emmy®-nominated filmmaker Robert Stone and Peabody Award-winning filmmaker Shola Lynch, this session will explore the craft of the archive-inspired film and show how these projects themselves are vehicles for preservation efforts. · Reel News: Broadcast Videotape and the Historical Record of Resistance – A significant portion of moving image records from U.S.-based social movements in the 20th century, including the struggle for African American, Chicano/a, LGBTQ, and civil and human rights, exists on endangered 2-inch videotape. This panel will screen footage and illuminate the vital, socially relevant content emended on tapes, while providing attendees with strategies for developing initiatives at their own institutions for preserving this material and presenting it to the public. · Let the Computer and the Public do the Metadata Work! – The American Archive of Public Broadcasting (AAPB), with Pop Up Archive, has created more than 71,000 transcripts of historic public broadcasting recordings using the open source Kaldi speech-to-text software. At this panel, WGBH will share a game called FixIt to crowdsource correction of speech-to-text generated transcripts, and panelists will discuss potential computational linguistic tools and methodologies to enhance discoverability of digital media collections. · The Great Migration: A Public Digitization Workflow – The Great Migration is a public digitization program initiated by the Smithsonian Institution's National Museum of African American History and Culture (NMAAHC). Visitors are invited to bring their home movies, on any format, to the museum and have them inspected and digitally scanned by NMAAHC media preservation staff. This session highlights how museum preservation efforts and public education coalesce, revealing basic steps for personal digital archiving while building the nation's largest research collection of African American home movies. “Every year, AMIA’s annual conference brings together the largest gathering of the restoration/preservation community who are making incredible progress in their work to ensure treasures from the past are accessible for the future,” said AMIA President Andrea Kalas. “AMIA members are the cultural caretakers of important audiovisual media, and this event marks an incomparable opportunity to learn and connect with a worldwide contingency of professionals in the field.” To register, visit the AMIA Conference website for full details: http://www.amiaconference.net/