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Found 2 results

  1. I work in TV, so when it comes to 16mm I'm just an enthusiast, and all of my 16mm footage so far has been on my Krasnogorsk-3, which has served me well. Having said that, I would like to eventually shoot some more ambitious projects on film (requiring sound, longer takes, etc), but unfortunately the closest place I could rent a film camera from is about five hours away. Because of this, I occasionally find myself browsing eBay for cameras, and often Regular 16 cameras such as Arri SRs, Aatons, or CP-16s are available. I can't help but wonder how worthwhile buying a Regular 16 camera is th
  2. Question : Shooting anamorphic in super16 mm film, Is there a way to exploit the black space between two frames the same way it is done with the in 35 mm with 2 perf for 2:39 and gain time on you 400ft roll I am shooting with hawk vlite16 1.3 anamorphic , probably sr1 but i am wondering if there is a camera model that can allow to expoit more surface on the negative (and so, having more time per roll than the usual 10 min/400ft) by having the frames close to each other. I'm thinking why wouldn't that be possible, 16 mm anamorphic withmore than 10 min per 400 ft mag ? (the small s
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