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Jordan El Amrani

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About Jordan El Amrani

  • Rank
    New
  • Birthday 01/01/1995

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  • Occupation
    Cinematographer
  • Location
    Brussels

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  • Website URL
    jordanelamrani-lince.com/

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  1. Question : Shooting anamorphic in super16 mm film, Is there a way to exploit the black space between two frames the same way it is done with the in 35 mm with 2 perf for 2:39 and gain time on you 400ft roll I am shooting with hawk vlite16 1.3 anamorphic , probably sr1 but i am wondering if there is a camera model that can allow to expoit more surface on the negative (and so, having more time per roll than the usual 10 min/400ft) by having the frames close to each other. I'm thinking why wouldn't that be possible, 16 mm anamorphic withmore than 10 min per 400 ft mag ? (the small s
  2. Thanks Giray, I am now considering making a test roll on a side camera during the both shoot. Have you got any footage or examples of reversal 16 mm stock ?
  3. Forgot to add : Shooting with aaton xtr, arri zeiss 10-110 zoom t2 and 12 mm t1.3 Any experience shooting with reversal film at 54 fps and 12 fps or under would be also great
  4. Hi, Does anyone knows how to expose this film in the two configuration mentionned ? is it possible to have good result in low light by pushing in development ? (any experience with that ?) I am opened to any tips regarding reversal film treatment as a 1st AC (conservation, use and elese ...) For upcoming projects, i am wondering how it would look like. The first one is a low light / hangar / industrial environment with light coming from a dancefloor with 5 people on it (the aim would be to have color effect / aberration and dynamism like in the 'domino' movie, the dancefloo
  5. Oh thanks Heikki, really cool example ! As the lightning will be natural in my case and because of the location and choregraphy, i do not intend to put lights in the field of view as you did with candles and reflection, although i really like the look of it. Therefore i think stars filters would be under-used in my case, it would make the skin of the singer and dancers very 'creamy' , and i do not see the advantage of it in a naturalistic approach of the location (a hangar/industrial loft), let me know if i am mistaken 😉 here is something i shot with glimmer filter and zeiss cp2 50 m
  6. Hi Luis thanks for your experience thats really cool. I am Shooting soon on aaton xtr, zeiss 12 mm + zeiss zoom 20-120 + eventually 7219. A dance performance in a studio with natural light coming from the top, in a hangar/industrial location that has about that offers a T4 level at 500 iso. I am therefore seeking for example of filter use on 16 mm. It can go from glimmer, black promised to much stronger effect filters like stars . As the lightning will be natural and i do not intend to put any lights, i am asking myself if there is a way to have a strong and radical effect with a fil
  7. Hi to all, I am seeking for example of filter use on 16 mm. It can go from glimmer, black promised to effect filters like stars and else (ideally from footages, test or existing movies) Shooting soon on aaton xtr, zeiss 12 mm + zeiss zoom 20-120 + eventually 7219. A dance performance in a studio with natural light , about T'4 coming from outside with top windows. Thanks in advance
  8. Hello everyone, I am seeking for examples of filter use on 16 mm, anything from glimmer, black promist to effect filters (stars ...etc) will do. If movies also pop in mind don't hesitate 😉 I am in research for an upcoming 16 mm video (dance performance, with natural light) that we'll shot with the aaton xtr , 7219 film, zeiss 12 mm & zeiss zoom 12-120 (by mind). Caméra on dolly or stand, 'black swan' inspired of some sort . Thanks ! Jordan
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