Jordan El Amrani

Price drop : 6.5k + shipping

Selling this beauty because i need liquidity for a personnal project. I've shot a couple of rolls with it, mags, lense and inside of the camera is in good condition, battery is new, belt recently replaced in the camera body, all frame rates work perfectly. THIS IS A READY TO SHOOT KIT. I can send more pictures & footages of the 3 magasines & a video of the camera running. Invoice for the buy can be produce through my company. Shipping from europe (france/belgium/holland) I am trying to get back what i've put into it, 7.2k (euro). - 1x ARRI SR2 body - 3x magazines - 1x V-lock battery + d-tap to xlr 4 pin cable - 1x cinematography electronics speed control (5fps to 75fps) - 1x Zeiss 10-100 f3.1 - 1x extender for viewfinder - professional camera bags & cases for everything (lenses, mags, darkroom ...) Cheers

hi, I am considering selling mine as i need money to fund my new company. Belgium based - 1x arri sr 2 body - 3x magazines - 1x V-lock battery + d-tap to xlr 4 pin cable - 1x cinematography electronics speed control (5fps to 75fps) - 1x Canon 10-100 f3.1 - 1x extender for viewfinder - transport bag for everything asking 10 k, sell with invoice from my production company. i can send pictures and footages shot with it last month. best, jordan jordan@24fps.be

Hello there ! I am wondering about the scan part of the production for upcoming tests on an eclair gv16. Am i suppose to ask to the lab to make the Scan or TC at regular 25fps recommendation or am i missing something ? I understand that it is good to match the frame rate to the scan/TC 'rate' for 25 fps and under, but for the rest, i don't have an idea. thanks in advance Jordan

sent you an email !

Hello to all ! great topic ! nice videos Marek ! Do you still have one of those GV16 for sale ? i might have some people interested ! i am about to get a GV16 sport model but i am wondering if it will turn on : i just got the 6 pin xlr connector that goes in the motor but how is the polarity suppose to be inside it ? i am planning on making an xlr 4 pin connector to the 24 vdc 6 amp. battery so that the cable linking the motor to the battery is rock solid both ways. have you had experience with running your gv16 without the controller box ? with straight connection from battery to motor , how can we know the frame rate with that ? I just found a GV16 sport and have many question about it. Even though boris's old post is already a goldmine (thanks mate !!!) , if anyone has other infos i am open !! all the best, and keep slo mo analog film alive !!! Jordan

pm sent about the aaton m42 adapter

hello alex, very much interested, here is my whatsapp +33 7 82 78 54 60

Hello guys ! thanks joerg, very illuminating ! https://drive.google.com/drive/folders/1UBxfvi4FQqy-ArcTT124kU25ZxKgCfpI?usp=sharing I concluded after looking inside the camera , the LTR i own doesn't have a beamsplitter installed. Two option remains to make an alternative video tap : - option 1 : 'fixing' the Mokose camera & lense to the eyepiece of the viewfinder - option 2 : fixing the Mokose camera & lense vertical on top of the ground glass (in place of the hole viewfinder piece). 2 problems that coexists about option 2 (only option i am considering at the moment) : CAMERA ERGONOMY ISSUE The LTR body and viewfinder are 2 separate parts screwed together. The top handle of the camera constituates a 3rd part , empty inside and screwed on top of the the prism/mirror of the viewfinder (SEE PICTURE 1 & 2). It serves to handle the camera AND as a dark room around the prism. I could replace this mirror or the hole viewfinderpiece in order to put the lense and camera system in the hole that's underneath, threw wich the (telecentric ?) lense of the viewfinder originally goes and takes the light from the ground glass (SEE PHOTO 3). Problem is that this hole has a diameter too small for the filter thread of the 5-50mm varifocal telephoto lense from mokose (i don't have data about that filter thread, its a guess based on videos i saw). This hole COULD be perfect because the mokose camera and lense shape SEEMS to suit perfectly the area and could also act as dark room and replace the top handle. OPTICAL & SENSOR ISSUE Anyway, lets pretend i can put the sensor or lense there. The 5-50 mm varifocal telephoto lense has an angle of view of 8°~48° but I don't now this about it's close focus. Is there a standard for those kind of 2'8 sensor cameras/lense kit ? this one will be placed where the prism is : approx. 8 or 9 centimeter from the ground glass, but should the sensor be there or the top of the lense ? Tested on my iphone X (SEE PHOTO 4) , i had to place the camera/iphone sensor, approximatively at the same distance the prism is from the ground glass inside the aaton camera. I had to zoom in with the iphone to get the hole frame line, the focal recorded is 28 mm, the iphone X has a 2'5 sensor, it is close to the Mokose' s 2'8 , what does that means in terms of distance and focus ? what can i conclude ? Am i sure to have a full image by placing the mokose at even 15 cm from the ground glass ? Cheers,

hello, very interesting subject. i am also lookin for the right model of mini camera to make a video tap for an aaton LTR. after a few research, I also think the mokose is the way to go due to the zoom, the close focus and the sdi output. I am about to order but should it be the wide angle version or the 12-50mm one ? arghhh i dont know !

Hello Community ! (picture from the aaton ltr7 manual) - This might sound like basic questions but i must ask : 1) HOW DOES THE BEAM SPLITTER ON THE AATON LTR 7 WORKS what does the manual means by 'aaton VR30' system in the first paragraph ? 2) how do i know the one inside my LTR works ? how do i get the beam splitter signal out on a monitor ? 3) there is no connection whatsoever for video output on my ltr (no BNC - as it is sometimes apparent downside the magazine near the iso adjustment - or connector apparent near the beam splitter and so called aaton VR30), i do understand this beam splitter has an on/off position. I also do not possess the m3 allen wrench mentionned in the second paragraph but i can't even find the screw i should access to switch the BS position , or maybe it does not exist ? 4) Should i consider a better and easier alternative way to video tap on my aaton ltr7 with a micro camera through the viewfinder ? what camera and lense model is best suited for this configuration Thanks in advance, J aaton manual p20 png.zip

CAMERA ARRIFLEX + SCHNEIDER CINE-KREUZNACH SET aSKING PRICE : 6000 Euros / Location : Paris, France THIS KIT IS TESTED AND READY TO ROLL. The camera number shows it is one of the latest model, the body and the mags are in perfect condition, so as the lenses. This kit contains : - 1x Camera body ARRIFLEX 16 s + Matteboxe - 4x lenses + focal extender x2 : 16, 25, 50 & 75 - 2x 300ft Magazine (122 meter) - 1x 8 volt Battery + case - 2x Motors (1x 25fps motor & 1x Variable speed motor from 8 to 48 fps) - 1x Viewfinder extension - 2x Flycase All the material are like new, no sign of use (NO SCRATCH, NO TECHNICAL PROBLEM). The photo tripod in the pictures is not included in the kit. Here is some pictures of the hole kit, and multiple footage that i shot with it, it includes an audio sync shot with the 25fps motor : https://drive.google.com/drive/folders/15O28olFOoT8RYyXCPoNKTD2SjgrYUTBi?usp=sharing Here is the ebay link to the offer : https://www.ebay.fr/itm/144256898217

Hello ! I am sadly parting away with this beautiful set-up. PRICE : 5500 EUROS The kit contains : - 1x AATON LTR 32 body - 2x magazines (400 ft / 122 m) - 2x recelled batteries - 1x ANGENIEUX ZOOM 9.7 - 57 mm - 1x Wood-hand grip + Square rode - 1x Matteboxe - 1x Flycase The camera format is standard 16. Here is a video i shot with the kit, i can also share many more.

Hi , Just purchased a beautiful old lady in perfect working condition (still got to do some test next week but motors are running pretty well) : an Aaton Ltr 7 from the first era (1974-1982) 1) It came with two mags that are a bit different one from another. Any tips about the serial numbers and the pressure plate (see photos) is welcome. 2) Is there anyone in europe making this kind of video output/assist : http://www.visualproducts.com/storeProductDetail01.asp?productID=741&Cat=11 3) any comments about the camera electronics, what to take care of etc ... is very much welcome ? photos : https://drive.google.com/drive/folders/1oh1TppG0EFdFYhjaO6_K7DUtGjWVuGoj

Hi , Just purchased a beautiful old lady in perfect working condition (still got to do some test next week but motors are running pretty well) : an Aaton Ltr 7 from the first era (C405). 1) It came with two mags that are a bit different one from another. Any tips about the serial numbers and the pressure plate (see photos) is welcome. 2) Is there anyone in europe making this kind of video output/assist : http://www.visualproducts.com/storeProductDetail01.asp?productID=741&Cat=11 3) any comments about the camera electronics, what to take care of etc ... is very much welcome ? photos : https://drive.google.com/drive/folders/1oh1TppG0EFdFYhjaO6_K7DUtGjWVuGoj