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Zeiss Super Speeds MK3: Just over a year old, purchased from Alan Gordon in Los Angeles. Very clean, no haze/ fungus, no cleaning marks or scratches. The focus and Iris are extremely smooth. 9,5mm - $1850 12mm - $1850 25mm - $1850 Lenses are in New York if you would like to come see them personally. Will ship anywhere in the USA! If you take all the lenses ill include a pelican case.
I can't decide between buying the Blackmagic cinema mft camera with the metabones speed booster or the Blackmagic production camera. The pros for the Production camera: No Moire, less aliasing, globall shutter, 4k = really sharp 1080p The pros Blackmagic cinema camera mft with metabones: Better in lowlight, more dynamic range, wider field of view I just want the one that looks more cinematic, but I can't decided which one that is. , Thanks for your help.
At the start of the year I owned a Blackmagic Cinema Camera for a few months before selling it for various reasons. Produced a lovely image in ProRes, but I ended up using the money to travel etc. Recently though, I picked up a Blackmagic Pocket Cinema Camera and a Panasonic 12-35mm F2.8 OIS lens and some bits and pieces. The image is much, much better than the 5D Mark III I was shooting with. It feels like I'm grading a poor man's raw, but it means I can cut and grade directly in Final Cut Pro X. I've been pushing it through FilmConvert with lovely results. So far in my unscientific testing, I've found that being about a stop over middle (while making sure to not clip what you don't want) gives very nice and subtle noise results. I'm picking up a Sekonic L308S meter soon so I'll be able to do some quantifiable testing with regards to middle grey, exposure and where to compensate for cleaner results. Here are some frames I posted through FilmConvert's Kodak Vision3 5207 emulation before I bought the plugin (hence the watermark). Some have grain enabled, some are clean. So far I'm as blown away with is as the BMCC 2.5K, especially given its price and size.