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Hey all, I'm curious to hear if anyone is willing to share their experience if they've been on long camping/working trip where they were to shoot on a small boat going down a river...here are the conditions : - on a small chase boat going down a river. The river has both calm segments and not so calm segments when going down a few canyons! - weather temp: mild during the day and cooler at night/ water temp very cold - camera: Sony fs7 + canon lenses + shape handles ... basic - chasing a hand made canoe for 25 days , with one lunch stop and camping at night - two camera crew + assistan
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Hi ,I am Mohamed From Cairo And my question is about stabilization. I I am using sony A7s mark 2 + Tripod + 70-200 sony G lens on a boat (Stabilization), what should i do to get the best steady footage 1- Turn on lens stabilization ONLY. (and which stabilization option since it has 2 stabilization options). 2- Turn Camera Steady ONLY. 3-Both 4- None Thanks
- 6 replies
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- sony A7s mark 2
- 70-200 lens
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Hi everyone. I'm looking for advice on lighting interviews with a tiny crew (2-3 people) out at sea on a small 30-40ft boats. I'm frequently booked on these gigs but I find that 99% of the time I never dig the look of the interviews. It's always a matter of finding what looks the least bad. For most EXTs (on land) I'll backlight and try to shoot into a BG that's in the shadows...but of course on a boat there aren't any shadowed BG's, except maybe a tiny part of the deck. Most times we end up settling for front lighting the subject and holding a foldable silk to diffuse the light a bit,