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Found 4 results

  1. Hey guys, Looking to gain some insight on a rigging setup for an upcoming shoot. I have a project soon where we're going to be filming some skateboarders, probably from a pickup truck. My goal is to able to both lead them and track behind them, without having to put the truck in reverse. Trying to achieve smooth motion and would love to get low for some of the shots. I was chatting with a DP (Steve Annis) about the rig they utilized for this video: Here is the info I got from him: -all filmed out the back of a pick up truck with vibration isolator and tango head
  2. Hello, I'm a new cinematography student and I'll be shooting part of my next project on 16mm film. This will be the first time I'm using film on an arriflex SRII, I was wondering if anyone could offer some advice or tips for shooting on 16mm like good practices, metering, bracket testing, etc. I'm very new to this experience so any kind of tips or advice would be greatly appreciated it. Mahalo, Robert
  3. Dear Cinematographers Here is a rare opportunity to own a Real Hydraulic camera dolly as seen in many Hollywood Making OF. This camera dolly is a rare one of a kind JL Fisher 10 replica, it mounts a jib that smoothly lifts your camera in the air for stunning Boom Up/Down camera movements. The jib is hydraulic driven. It comes fitted with outdoor wheels and it features three steering modes: forward wheels, back wheels, crab mode as the professional ones. The steering mode is easily handled by a push/pull system on the steering bar, again as the professional ones. It is suitable for Sync Sou
  4. Any dolly grips that have used the new Hybrid 4: Let us know what you think. Dollygrippery.com is looking for some reviews of the new dolly. Write it up and email it to dollygrippery at gmail dot com. We'll publish it under your name or anonymously if you like.
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