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Found 3 results

  1. Hi, before we start, my main lighting inspirations consist the Hannibal tv series, Euphoria, and the works of David Fincher and Rina Yang for having an ambient based exposure with top or backlight, and movies such as Mandy, Suspiria (1973), Only God Forgives, and the works of Vittorio Storaro and Benoit Debie for having bold splashes and tints of color. Basically I'm trying to compile a set of gear for achieving stylized lighting of a set and my method was to mostly lean on practicals or supplemented practicals with a top light for ambience with a hard backlight. Keep in mind I have only so much power to work with as I'm putting all of this in my car with a small generator so basically I'm limited on space and power and those are my major cost factors for me as I need the space for other things as if I had all the space and power in the world I would probably just use a bunch of arrimax 18ks, Wendy lights, softsuns or God knows how many digital sputniks but I don't have that so I have to make sure with what I can do. For the film lights I would make sure that the company provided photometrics actually line up with the claims made as for equivalency and my source for verification was Arris photometric calculator as I could input distance and approximate beam angle to see what the actual equivalents are. The lights I have chosen for my kit are there to fill in roles for other equivalent lights but at lower wattages and with hopefully good light quality and not just output. And keep in mind these lights would be in near constant rotation in terms of what role they would be playing on set. Also, another factor would be how well I can rent them or resell them for which is why I'm looking at the lights here. 1x hive wasp plasma par 1000 (equivalent to an Arri m18 and considering that light is reputed to be brighter than some 2.5ks it lives up to that but it's nowhere near a 10k tungsten like once claimed at trade shows and on some sites by hive) 1x prolycht orion 675 w/ fresnel (it does seem to line up to the claim of being roughly equivalent to a 5k tungsten if just below it and it lines up with an Arri m8 so I'm satisfied). These would be used with the lightbridge crls c100 kit 2x litepanels Gemini 1x1 hard (these didn't make equivalent claims but according to their company provided photometrics and beam angle they seem to line up with a 400w hmi like a joker with the frosted fresnel lens) Practical/other film lights 1x astera titan 8 light kit 1x astera helios 8 light kit 2x astera nyx 8 bulb kit with impact octacool fixtures 2x litegear literibbon cine five 5m And the full set of rosco Storaro gels. If there are improvements I can make on this let me know.
  2. Hi guys, I'm a data manager and a digital imaging technician student. I'm looking for books about dit since a long time. I found these two on internet: Imaging processing for cinema - Marcelo Bertalmìo https://www.amazon.it/dp/1439899274/?coliid=I1MCJA8LDTC8HY&colid=2K966BF7HDL56&psc=1&ref_=lv_ov_lig_dp_it The Filmmaker’s Guide to Digital Imaging: for Cinematographers, Digital Imaging Technicians, and Camera Assistants https://www.amazon.it/dp/0415854113/?coliid=I2JPL1XV8KFXW5&colid=2K966BF7HDL56&psc=1&ref_=lv_ov_lig_dp_it Anyone knows something about these books ? Really appreciated any advise about other books.
  3. Hey I'm Xoaher currently based in Prague. This is my reel from last year school works. Please feel free to critic and let me know how can I improve. Thank you Xoaher https://vimeo.com/141572957
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