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Found 3 results

  1. Iolo Edwards
    Hi, I hope you can help me. I'm in the middle of editing a 16mm short film shot on double-x film stock. Recently I needed to shoot some pick-up shots and I sent the 100ft roll to a different lab (a cheaper one) to save money. The problem is the most recent footage visibly looks different, different tint, probably different chemicals etc. Is there any way to get everything to match in post? Would a professional colour grader be able to make everything match? Or will I have to shoot the pick-up shots again and send that film to the original lab? Thanks.
  2. Jordan Watson
    Hey guys, soon making a corporate and require VFX. This is the first time I have needed a VFX team. What is the process? Collect footage > VFX > Colour grade? Or collect footage > Colour grade > VFX? Thanks in advance!
  3. Stuart Edgeworth
    http://www.youtube.com/watch?v=vn6b1xeI9wU&list=PLvfmoEMI4m_8xgDQ1GesmEJ0Dt_EMkNv_&index=1 This music video was shot late 2013 in Sydney Australia. Shot on RED epic at 120fps, 4K. We shot in a 4m dive pool and blacked out the sides as well as shooting at night. Enjoy! Feedback welcome! The Year of our War "Nocturne" www.theyearofourwar.com Director Stuart Edgeworth www.chuckedgeworth.com DOP Jon Shaw www.ginclearfilm.com www.soundcloud.com/theyearofourwar www.bandcamp.com/theyearofourwar
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