Jump to content

Search the Community

Showing results for tags 'daytime'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

Found 1 result

  1. Mornin' everyone. That's my first post here at the site, so I'll try to be pretty clear (sorry bout the english, from Brazil in here). The thing is, we'll be shooting a college thesis film (a thriller themed short-film) this next semester. One of the locations is the living room/ kitchen of a country house. I'll get two setup's at it, the first one will be basically natural light with a bit of reflected backlight (we'll shoot with a steadi going round, so I'm trying to avoid any possible physical interference). My doubt would be what set or what kind of equipment I use for the second moment. The character will be entering an eerie aura, he's returning to the house after some weird stuff happens at the outside. What I want to do is a set that get the interior much darker than the first time, but not too much, so it can be clear that he's at daytime. Wanna use a strong marking contrast, but not to defined lines, I'll post a reference image so you guys can understand my point. Just for the knowing, the camera will be a Sony F-55, shooting at 2k, and we got plenty of lighting equipment to choose, so basically there is no strong limitation to what type of light we can use. Well, guess thats it, if you guys could get me any help it would be great! Thanks!! The reference, from 007 Spectre (bad quality, but great lighting) :
×
×
  • Create New...