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Found 1 result

  1. Hey people, Currently Im working in a project for a little ad where we will make up some boys to make them old, and the maine light I would like to use is some HMI, the camera that we will be using is the FS700 with odyssey at 4k and slog with ISO 2000 FS700 4k SLOG ISO: 2000 fps: 60 fps LENS: f= 2.8 SO here is what I want to ask... so I use the EXPOSEUR FORMULAS for almost everything I do even when i do phantom and they seem to work perfectly but I want to make a look like this... http://images.nationalgeographic.com/wpf/media-live/photos/000/259/cache/canal-st-martin-paris-gahan_25999_600x450.jpg and well this is what I will use hope I do it right! because I can't practice before so if you guys can help me I would like to know what do you think of my setup. it will be a small scene but I want to make the light come from the windows and bouncing from the inside to have a well balanced scene. I would use a HAZE ROSCO machine and put one HMI 200W PAR from the outside and another HMI inside bouncing on the cieling so I can have both of this guys lighted well, they will always be seated and close to each other. : THIS IS WHAT IM TAKING WITH ME.. -HAZE ROSCO -2 200W PAR LIGHT HMI -silk and bouncing suface. I want the scene to be warm, so the beam lights would look like sun beams touching the place. I would ask also for a PROMIST FILTER 1/4 but i don't think we will be able to rent it, I will be also doing some other works but this is the first one and i would like if there is something i'm missing. so my calculations say that I need 24.5 fc to light this scene using a 400 ISO, so I can put the par light at 24 feet from my subjetcs, so I can have a beam of 24.6 feet. If I use the SLOG I would be ISO 2000 as there is nothing less than that when you are using SLOG... so the calculation says that I need 4.9 fc but I will be using an ND FILTER I think 9 nd would be nice... so I can make it to 2.8 that is what I want to use.
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