Jump to content

Search the Community

Showing results for tags 'kodak 5207'.

  • Search By Tags

    Type tags separated by commas.

  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End

Last Updated

  • Start

    End

Filter by number of...

Joined

  • Start

    End

Group

Occupation

Location

My Gear

Specialties

Found 1 result

  1. Cristian Arevalo
    Hi everyone, I think I have a some basic understanding on how LUTs or film stocks work in general, however it gets very confusing with all the variety of film emulation LUTs available and searching in Google or through thousands of topics doesn't really help. My question is how these LUTs actually work and how are they created? Are they a combination of negative stocks and print stocks? For example I see a lot of films shot on Kodak Vision 5207 and printed on 2383. According to Film Convert "FilmConvert applies a combined emulation for print, negative and a viewing simulation for projected film. Isn't the Kodak 5207 very different from the 2383 as far as the colorimetry is concerned? Thank you.
×
×
  • Create New...