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  1. Hello everyone, Do you have any info on the Panavision Primo Classic "soft effect" mode? I know it is an optical, variable diffusion effect, but I have yet to see the effect on an image. Any links or screenshots? This function is only available on the 24, 30, 65, 85 and 125mm, and I wonder if it cuts well with the other Primo lenses without the effect. Best,
  2. Anton Bauer Titan 70 Battery Charger View Ebay Listing Bidding: $300 Buy It Now: $330 This pre-owned Anton Bauer Titan 70 Battery Charger is in Excellent Condition, minor scratches. It includes the charger and power cord. Works like a charm, With this unit, you can power a camera and charge any Anton Bauer battery. I've used it a couple times with the JVC HD100 but don't need it since I've switched to DSLR. This is the best deal for this you will find on Ebay _____________________________________ Fujinon Th16x5.5BRMU 1/3" Broadcast lens for JVC HD100, 110, 111, 200, 250, Z7 View Ebay Listing Bidding: $319.99 (ending in an hour) This lens is originally from the JVC GY-HD100 It is fully compatible with the ProHD JVC 1/3" models and will also fit the Sony Z7, S270 and maybe some Panasonic 1/3" models, However, I don't see why there maybe not thread adapters/mounts out there for compatiblilty with others. Manual is included. I've shot 3 or so hours with the lens on my old HD100 then packed and kept in decent room temperature. Perfect condition, no scratches. The back and front lens caps are missing, so I'm offering FREE SHIPPING and I can refer cheap replacement caps online. FEATURES Type - 1/3" Format Color TV Camera Zoom ration - 16x Focal Length - 5.5 ~ 88 mm Iris Range - 1.4 - 16 . Close Iris Control - Auto or Manual Iris Op Time - Approx. 1.5s (full travel) Zoom Control - Servo or Manual Zoom Op Time - Approx. 3 ~15s (full travel) Focus Control - Manual M.O.D. - 1m 0.01m or less with macro operation F. f - 41.99 mm (Including Glass Elements), 31.00 mm (In Air) Mass - Approx. 1kg (w/o Lens Hood) Ships Immediately/Returns Accepted
  3. I have my Arriflex 35mm camera package up for sale. I have arranged it to be a film maker's production kit, so it comes with everything you need to get you going. Here is an excerpt from the ebay ad I have up. This is an ARRI 2C camera (rods, matte box, not included) with a flat-base crystal-sync variable speed motor, 50mm Schneider Xenon Lens, Vintage wooden Tripod & Arri 2c Friction Head and LOW RESERVE. Camera comes with Black and White video tap, for you, for your director and/or your actors too. With this kit you can make money with the satisfaction & quality that digital just can't offer you. This motor can speed at 8 fps, 12 fps, 16 fps, 24 fps, 25 fps and 32 fps. It shoots rock steady 24 fps. It can run in either crystal-sync mode or variable mode. It can also run in reverse mode with the flick of a switch. This camera is light tight, I just recently ran a 400ft test roll successfully. No streaks, No light leaks. Camera body with motor weighs less than 8 pounds. This camera package includes: - full 4-perf gate with a 1.37:1 ground glass and a fixed 180 degree shutter. - tilting viewfinder with closeable diopter. - color video tap with AC adapter. - a new 12v Panasonic battery with 4-pin XLR cable - battery charger for 12v camera battery. - battery holder with shoulder strap and belt - Lee Utterbach 400ft Ball Bearing High Speed Magazine - Three Dust Caps for the lens ports and Lens caps for Schneider Xenon All you need is film and you’re ready to roll!! To help out any prospective filmmakers I'll even throw in a few cans of recanned 35mm which I’ve never opened to get you started. 200ft x Kodak 500t 5219 Indoor stock 190ft x Fuji 250D 8563 Outdoor stock 200ft x Fuji 500T 8547 Indoor stock Check out the auction for more pictures and details here: http://www.ebay.com/...=item25791cf94f I'd be willing to offer a special deal for members of the site, $2,500 for the whole kit. Considering The lens alone is worth over $500+ it really works out to be a sweet deal. Let me know if you're interested, Thanks! Peter C.
  4. somebody looking for some new glass? we are selling our Schneider Kreuznach Cine-XenarII prime lenses. Coming in 2 Pelicases. 15.750 Euro before 19% VAT. (customers outside the EU don't have to pay VAT) http://www.ebay.at/i...=item35c29de218 (direct sell prefered. you can pm me, when interested in the kit) Karsten
  5. I'm shooting a short film with a friend this weekend, and we'll be shooting regular 16 on an Arri SRII (it's the last hurrah before her school sells off all their 16mm gear). There's no time or money to shoot/develop/transfer real lens tests, but I want to be sure that we can pull focus off the lens marks accurately. I'm renting the much lauded Cooke 9-50 zoom from a local rental house, and right now I'm thinking I will go in with our camera body, shoot a few feet off a test chart at various distances, and do a slop develop with some D-76. Then I'll set it out on a light table and check focus with a jeweler's loupe. Now, what I'm wondering is--will this actually tell me that the lens and body are all up to spec, or will I just be fooling myself? I was happy enough with this method for picking negatives when I was shooting 35mm stills, but I've never used it for anything that required a high degree of accuracy. Maybe there are other test methods out there that don't require going through the lab? We'll be going to at least a 1080p transfer, and since we're already cropping out of R16 and shooting on a zoom, I don't want to take any chances, even though the lens and body are both recently serviced and well cared for.
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