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Found 4 results

  1. No matter how you slice it...film collecting is messy business. Sure, if rich you can match your cans, barcode, have lots of horizontal or vertical film shelves and temperature-controlled film vaults...but it still boils down to film cans or reels on shelving...or the floor. And when you run out of shelving, you use the floor for shelving. I found this photo on the internet, along with the rest of these photos. This guy titled it reorganizing film, so maybe he has the shelving, and the floor storage is just temporary. 35mm is for the big boys. I just deal with 8mm and 16mm. Temporary or not, floor storage is very common for film collectors if you are short on space or shelving. It is common to see film jammed on shelves any way they can fit. Here is a smaller collector and is neater about it in his man cave... In the old days they made film shelving to store film vertically. But they are very rare to come across nowadays and they cost $$ when you do find them. For me it has been a lifetime of being short on space. Space cost $ and I've always worked on a shoestring budget, consequently I have always been short on space. Even growing up I had no space as a kid. My parents didn't have a lot of $ and I grew up in a 1 bath 4 room house in L.A. My bedroom was a foldout bed in the living room. An old gal down the street saw some of my film archive and said I was a hoarder. Some of my films being organized from M-R... I told her I'm not a hoarder, I'd just short on space. I've got a few million feet of film and if I had more space and shelving the same thing, she called hoarding, would not be so jammed up. So, if I am a hoarder, it is being a 'hoarder by design' and not by desire. I rather have tons of space and shelving...but I don't. A real hoarder fills up any space they get no matter how large. That is the acid test. Anyway, she inspired me to expand my shelving for cine' film with 3 or 4 more 6-foot-tall chrome wire shelving units. I don't have that much room for them, but I can put them on casters and double stack them. When I need something from the rear shelf unit, I pull out the shelf unit in front of it. I am not really a film collector; I'm a film archivist. I don't necessarily want the films; I just want decent digital scans of the films. My goals changed in 2023 from maintaining a physical archive to becoming a digital archive. But it is a benefit to education as well as the archival record when you can handle, inspect and smell the films versus just dealing with scans. And in the big picture, it is hard to get rid of everything even if you want to go all digital. It takes lots of time to dispose of things properly unless you just trash it all in a dumpster. 16mm IBT Dye Transfer Technicolor Lab Head DDTJRAC <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  2. Now...it just depends on the material. There is plenty of vintage photography on the market that is dirt cheap. These are usually cabinet cards or CDV's of people...the plain Janes or Joes. But anything notable in vintage photography is usually pricey. And one of the most highly prized and $$ areas to collect is occupational photography, especially daguerreotypes. I was lucky when I acquired this occupational tintype. It was somewhat affordable because it was in such poor condition and the image had to be extracted from it in post. It is a large size tintype measuring 6-3/8" x 8", so that was a bonus. Larger images offer more detail to extract. Post processed scan Raw scan, no post processing. No telling about the age. Tintypes were popular mainly from the 1860s - 1870s. Although they continued to do tintypes for little portraits much later. This tintype is almost prehistoric compared to most of the other tintypes I've seen. If you have $$, you can collect top end material for vintage photography...although these are overpriced. Early on when I first came across the Getty Museum's Open Content Collection, I saved a lot of the vintage photography I found there. Back then (the early 2010s) they offered digital JPEG files that were 45 mb+ for some of their material. And they were very nice digital copies. Nothing like the subpar 200mb TIFF files the L.O.C. offers that are just digitized low quality film copies of the item. And the Smithsonian and National Archives are no better. Sadly, the Getty Museum cut way back in their generosity. The same 45 mb JPEG may be 6mb now. I modelled my Archive after the Getty of old. Although people have to write me if they want anything super hi res. The I.A. limits uploads to 10 mb. There is a practical limit to res and file size unless you are rich. I scanned this tintype 48 bit 2400 dpi TIFF and the file was 1.8GB. Crazy! Here are the extensive bit depth tests for you to peruse. https://archive.org/search?query=bit+depth+teoli <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  3. Handling paper for flatbed scanning in the Daniel D. Teoli Jr. Archival Collection. Photo: D.D.Teoli Jr. I handle lots of paper in the Archive. Many hundreds of thousands of scans. When looking at scan jobs, I don't figure jobs by the number of scans, I figure them by how many feet of paper there is. A small job may be a foot or two. A big job may be 15 feet or more. Anyway, if you handle lots of paper as I do; work smart and wear exam gloves. They provide a multitude of benefits when handling paper. Wearing exam gloves gives you the following benefits: They keep finger and grease smudges off the scanner glass. They stop your skin from dropping flakes of dead skin and debris on the scanner glass. They give you a great grip on the paper both for placing and removing the paper from the scanner glass. They keep the paper clean as well as your hands clean. If not using gloves, your hands can get dirty handling matte black ink or gritty paper. White cotton gloves do keep originals clean. But they don't give you the tactile sensitivity and purchase of the paper as the exam gloves do. In the winter if your hands suffer from cracking and dry skin, the exam gloves help alleviate that problem. You can cream your hands up and put on your gloves to work. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  4. Kodak (Mexico?) Inkjet Paper Deterioration See yellowing edge of paper compared to white paper. The entire sheet of Kodak paper has yellow blotchiness. The edge is the easiest way to see the yellowing in a photo. If you have a laptop or unbalanced monitor, you may not be able to see the yellowing. This was Kodak's cheapest paper at the time. From what I recall, the paper was made in Mexico. Paper shown here is 10 years old, stored under normal household conditions. It started to show yellowing about 3 to 4 years ago. All of the rest of this Kodak paper shows the same yellowing. It is hard to get a good photo or scan of the yellowing, but it is easily detected by looking at it under 5,000k lighting. A couple of other major photo paper makers also suffered from yellowing of their cheapest brand of inkjet paper. I didn't record the maker's names. I didn't purchase this paper to print on. I didn't purchase this paper to do archival testing. All these papers were purchased to use as interleaf while printing artist books with an inkjet printer. Unless interleaf was used while printing, the pages would transfer freshly printed ink to the page stacked on it. This was a big problem when using matte black ink, but not a problem with gloss black ink. RC gloss or RC semi-gloss inkjet paper worked best as interleaf as it did not accept any ink transference on the RC coated verso of the paper. <><><><> Daniel D. Teoli Jr. Archival CollectionDaniel D. Teoli Jr. Small Gauge Film ArchiveDaniel D. Teoli Jr. Advertising ArchiveDaniel D. Teoli Jr. VHS Video ArchiveDaniel D. Teoli Jr. Popular Culture ArchiveDaniel D. Teoli Jr. Audio ArchiveDaniel D. Teoli Jr. Social Documentary Photography
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