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Found 3 results

  1. Hi everyone! I was enquired today to possibly shoot a commercial for both the UK and the US market. I wonder what is the latest and best workfloor to output both in NTSC and PAL. Would it be best to shoot PAL - here in the UK - and then later just convert the finished piece or have an external recorder, recording in NTSC while the camera records PAL? I wonder for the latest method if it'd be problematic to match the colour grading as the files might be different. Unless using two external recorders based on the same type of file? Has anyone gone through this recently or in the last couple of years? Thanks Luca
  2. Hello all! I'm new to this website and am excited to make my first post! I am going to be working on a project soon and want to shoot super 16mm. I have been looking at cameras online to buy and have come across some decently priced Aaton XTRs from various countries outside the U.S. My concern is that some sellers have mentioned that they are PAL cameras. Can anyone tell me if this will matter when shooting the film? I have heard mixed opinions about it just referring to frame, rate in which case I can adjust the camera's frame rate. Others have told me that I will constantly have flicker due to electricity in the US. Will I be able to use the camera or should I look for something else?
  3. Hi just found this board and am looking for some good advice. Anyway I have a question(s) and concern in regards to video capturing and exporting. I will try to give as much info as I can, if there is anything else you need to know, please let me know. I just got done with a film shoot for a (hip-hop/rap)music video in a club scene setting using a Panasonic DVX100B(24p normal, 16x9 Letterbox), Canon XL2 (24p 16x9), and a Canon DSLR Camera (HD Video recording). A few scenes were shot in 60i with the XL2 for slow motion purposes later in edit. I have not shot in 24p before and it was recommended for this type of shoot by many I spoke to give that feel we were wanting. Keep in mind the Panasonic was camera A. Both the Panasonic and the Canon are tape driven cameras. The main question(s) I have is what are the import settings I should set on Adobe Premiere Pro (CS3) for capture each camera video footage? What should be the proper settings for the timeline, etc and what are the export settings as this will be used for both online purposes and TV purposes? I would like to know what is the best steps in getting the highest quality video we are needing for the end product which will be for purposes of online(youtube, worldstarhiphop, vimeo, etc) and TV also. So if you have experience with this I would appreciate your input (and help). Any additional recommendations for this type of video are also welcome. Please keep in mind I have never shot(nor edited) in 24p and am very confused on this. Hopefully someone who has experience with the setup can help. When I capture the video right now, it seems grainy, but when viewed in the LCD on the camera looks clean and crisp. Somewhere I am having video loss and not sure what I am doing wrong and I think it is in my settings. Also if you need any additional info, I can provide for you. Thanks for your help! J
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