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Found 3 results

  1. Got some questions about pushing and pulling film stock after reading this fantastic article about shooting La La Land on film, and after a recent wedding I shot. I'm not a complete novice or anything but still only been shooting motion picture film for a couple years now. As I said, I shoot weddings among other things on Super 8 and sometimes, you just gotta deal with the light you're given. Last wedding I shot, the ceremony was EXTREMELY dark, I'm talking like, you could barely see the couple with your eyes dark... So I was shooting 500T on my Beaulieu 1008XL (f1.2 lens, 225ยบ shutter) wide
  2. Hi everybody, I was wondering how people control the aperture and pull focus during a steadycam shot for example. Is it possible through only one remote? Or I'd be necessary to do so with 2 different motors and and remotes? Thank you in advance for the help, Davide
  3. Hey guys, Last night I was working as a B Cam 1st AC on an indie film shooting with Arri Amiras + Master Primes on an overnight. The majority of the time, we were sitting in the range of T/1.4 - 2.8 (regularly opening up all the way or near) and often were on fairly long lenses (sometimes B cam was on a 135mm, yikes) and pulling focus was quite challenging. Now I understand that pulling wide open on longer lenses is never going to be an easy feat, and I consider myself pretty solid at pulling focus in more healthy conditions, but I'm just wondering if any long-time seasoned ACs out th
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