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Found 5 results

  1. I will be doing a shoot in jungle. I want to know how can I control the day outdoor light. The weather condition around here is sometimes rainy and hard sunlight. I want to do various scene in different lighting, so please help on how I can create the different lighting scene 1. diffused lighting on character and the surrounding trees. 2. hard side light to fall in character face. 3. using top sun light for a day murder scene. ( i want to use a lot of highlight in the scene, how it would be as using top sun light? and what precaution are required ) Kindly help me with what
  2. Does anyone have metrics on the photoflex starlite or chimera triolet 1k's? I've used the triolet once, a few years ago and was wondering how the output compares to using Mole or Arri open face pars with the same modifier. Since they have much larger globes and are made specifically to use with softboxes I would think they have more punch. Also, the photoflex starlites use the same globes as the triolet so I would assume they have the same output. Photoflex has an interesting speedring that fits 4 starlites into 1 softbox, effectively making a cheap barger like setup. The lamps g
  3. Hey everyone! Long time reader, first-time poster. Recently, in a number of films I've been watching, I've seen a vast amount of ways to light through windows. I brought this subject up to a lighting professor of mine and we've been having discussions on it since. I know that to create realistic and natural window lighting, you need to use a mixture of hard and soft light to represent the sunlight and the soft skylight. Of course, the mixture and positioning of these depend on the time of day you're going for. I haven't had the time to do any tests of my own, but I will attempt some soon.
  4. Hi, new to the forum, and so far it's been a really great learning experience. Anyway, I was wondering how any of you might go about getting a similar quality of light from this shot in Grand Budapest Hotel on a budget? The project I'm working on mostly takes place in the kitchen of which I've included pictures below: I'm pretty young and I usually just reserve myself to writing and directing, but I thought it might be a good experience to try to DP one of my projects. However I could use a little guidance as this is all rather new to me still, but I did have a few init
  5. Hello I am about to shoot my year end final dialogue exercise in a month's time from now, the film has to be shot in studio space on 35mm film and sound synced. The film explores the internal conflicts of a family living in an lower middle class weared out house. It's raining or overcast in most part of the film and hence it is softly lit throughout but at the same time, I am trying to go for a higher contrast(not exactly very high) with lighting. Now, I am looking to create contrast within the space with respect to exterior and interior by the means of lighting (avoiding a lot of fill
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