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My Gear


Found 2 results

  1. I am making a low-budget short film in July, where the actor punches through the passenger window while another character sits in the passenger seat. They'll be multiple takes, so I want at least 10 breakaway windows. I've tested sugar glass, but it's tinted yellow. I've thought of using food coloring to try and dilute the yellow, but in case that doesn't work, I want other options. SMASH! Plastic (from smooth-on.com) looks realistic & clear. But don't want to pay $200+ for it. Is there some way I could make this plastic concoction on my own? Or another method to make smooth & clear glass under $100 for 10 windows?
  2. Hey guys, I'm planning a "matrix-style" fight scene for a production soon in Dallas, TX. The type of fights where you punch the guy and he goes flying across the room. Lots of aerial tricks etc. I know I'm going to need a wire harness for this to hoist up the actor while doing the stunts, but I've never used one before. I plan to hire a vfx guy for wire removal in post. I've got a few questions: 1. How do I go about finding a wire harness to rent for the production? I don't have a producer yet on the project, but I'm starting preliminary preparation and I'm just curious on alot of things because I've never dealt with this before. 2. What is needed from the location/space to phsyically pull this off? I assume the ceiling needs to have heavy beams that the rig can attach to to support the weight? I've seen it attached to condors/cranes on movie sets, but I doubt we will have the budget to get one of those. 3. Just incase, what's the rate to rent a small crane for something like that? Just a ballpark would be fine, I'm new to all of this. 4. Any tips or things I should look out for when using this rig for the first time? 5. I assume I need to hire some type of technician to ensure the rig is being used properly and safely? 6. Anyone recommend a producer in Dallas Texas that can help me pull this off?
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