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Showing results for tags 'technique'.
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Lots of discussion on the why of shooting with an iPhone, but I'm wondering about how. As in how do you create lighting that will let you get a good meaty picture and lots of subject separation using an iPhone. Expressiveness is a topic for another day. Specifically where would you start with light levels, ratios, color temps, and the rest? I presume you would set light levels so the camera could be shot at its native ISO value, but beyond that: Would you go very hard source light? Ultra diffused? Religiously keep your ratios at 2:1 or eliminate the fill and let the shadows fall where
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- iPhone
- cinematography
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Dear Colleagues, I'm wondering what objects, surfaces or props can be used to achieve interesting light reflection patterns? See this example of the Feist music video: It doesn't have to be that one per say, but any other technique that you guys could recommend from experience? Sincerely, Jovan Todorovic jovan.tv
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- lighting
- reflections
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Hello, I have a question that applies both to still photography as it does to cinematography, I hope I will not get banned for that! As a cinematographer, I find hard to differentiate the two, as I use my photographic work a lot, as an inspiration and experimental playground in my cinematography work. Currently, I am wondering what are the best ways to find a fisheye accessory or get a fisheye lens for a very low price. The goal is to fit in a lot of landscape, and get distortion effects on faces or other subjects. I realize that usually these lenses or add-ons are expensive becau
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- fisheyewide angle
- camera
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It seems that a DOP needs to learn to light for every situation and then tweak those according to script and specific locations. Though not exhuastive I have listed the situations in which one should practice lighting. Can you think of others that are good to practice? DAY Interiors room dramatic. Hard sunlight through windows with possibly a little fill. Interiors room soft. Huge softbox outside window with a little fill inside room if necessary. Interiors car and transports dramatic. Hard sunlight through windows with possibly a little fill. Interiors car and transports soft. Huge so
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this video is rather trippy. some of the techniques i recognize like the overlay, and the overhead green screen shots. tehre still really good. the quality is low, but for some reason i think they may have done this on purpose. there look to be a lot of purpose in this video. I cant seem to figure out how they did it? https://www.youtube.com/watch?v=9NcI6XAVnnw <iframe width="560" height="315" src="http://www.youtube.com/embed/9NcI6XAVnnw" frameborder="0" allowfullscreen></iframe>
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- music video
- asap rocky
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