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Showing results for tags 'timing'.
Found 3 results
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Bleach bypass is one of those processing strategies that seems to be loved by every generation of filmmakers, but I'm wondering what it can be used for beyond making the audience feel a character's sadness and/or fear? What unexpected emotions can it be used to convey—what reaction can it evoke from the audience? How have you used it to create other moods? Would there be a humorous use of bleach bypass? And finally, is it best used for the whole picture or is it more effective when used in just a few scenes? -
Hi you all :) I'm trying to figure out the exact timing of the mirror vs. the registration pins in camera using Mitchell type of movement and 170° shutter angle. My camera is a Russian made Soyuz US3N so it is not a exact copy but close enough to some mitchells. Generally, when are the reg pins supposed to engage in Mitchell movement and when they should retract compared to the mirror edge? I have to be able to time this myself every now and then because of lubricating etc. so can't ship it to a camera tech. The movement should be in factory specs so no need to adjust it, so...
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It seems like all the color grading information out there is about how to make footage look dark and dramatic but I'm currently working on a comedy that could use its own touch of color timing magic. So, how does one go about grading a happy, lively story? What are the basic timing decisions? Common sense tells me that I would want to stick to the characteristic contrast curve and keep the midtowns meaty, but where do I go from there? Is there a highlight color that I should introduce? Do I want to do anything with my shadows? Skin tones? Or do comedies suffer when subjected to a grade?
