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Found 8 results

  1. Dear fellow filmmakers, I'm having a hard time finding top notch resources for learning more about lighting. Anyone know of any great (free) webpages, magazines, instagrams etc. ? I'm particularly interested in 'expressive/creative lighting', examples of use of cutter flags, explanations from features, etc, preferably from someone working in the field. All the best from Copenhagen, Malthe Ejlers (see my latest work below for the type of filmmaking I do)
  2. Anybody here tried and/or played with the Mole Richardson Bi-color led fresnels? Especially the big ones like the 5k or 10k equivalent. Or even these same lights in single color... Any thoughts, pros, cons, everything you have would be greatly appreciated!
  3. RED DIGITAL CINEMA® introduced today the new GEMINI™ 5K S35 sensor for its RED EPIC-W® camera. The GEMINI 5K S35 sensor leverages dual sensitivity modes to provide greater flexibility for a variety of shooting environments. Whether creators choose to shoot in standard mode for well-lit conditions or low light mode for darker environments, the RED EPIC-W with GEMINI 5K S35 sensor delivers incredible dynamic range and produces cinematic quality images. The GEMINI 5K S35 sensor delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail.
  4. Irvine, CA - September 7, 2016. RED Digital Cinema is heading to IBC (booth #12.C71) in Amsterdam from September 9-13. Those visiting RED's booth can interact with RED's entire line of DSMC2TM cameras - RED RAVEN™ 4.5K, SCARLET-W 5K, WEAPON® 6K and WEAPON 8K VV, as well as the limited edition white WEAPON 8K S35 featuring RED's newest sensor, HELIUM™. This creates a unique opportunity for visitors to experience two industry-leading 8K sensors, RED DRAGON® VV and HELIUM S35, side-by-side. All of RED's DSMC2 cameras offer superior image quality, incredible dynamic range, and are capable of sho
  5. Hello, I've recently shot a short film on a red epic in 5K raw. I've been told that .RED footage can be directly imported into adobe premiere, but that it would require a powerful system to edit. Is it necessary to have a good system to edit the footage ? And if that is, would I have to transcode the footage into a lower format (such as prores) to be able to edit ? Thank you for your time.
  6. Hey everybody, My name is Mike, I am an Electric and I will be gaffing for a short film. I have to recreate late afternoon light to shine through a window. My question is do I have a strong enough light source? My main light source is an Arri Tungsten 5k. The DP wants it about 20 or so feet away from the window. We are on the second story so the light will be on a stand about 16 feet high. The DP wants afternoon light (4300k) to shine through the bathroom window. So I will gel the 5k on a 4x4 frame with 1/2 CTB (4600K). He also wants some New Hampshire Frost on it. Us
  7. Looking to buy RED Scarlet-X (in new or pristine condition) would prefer package deals but also will accept just brain as well.
  8. I have developed a new HD Plug-n-Play Pkg. that enables the paralleling of two Honda EU6500 inverter generators to generate 100 Amps of power. A complete system consists of two modified Honda EU6500s, a Paralleling Control Box, and one of our Transformer/Distros (either 60- or 84- Amp.) Parallel operation of two Honda EU6500 generators made possible by our new Paralleling Control Box) The generators require modification to interface with our standard Paralleling Control Box, which syncs the frequency and equalizes the load between the generators. Our proprietary paralleling control c
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