Jump to content

Search the Community

Showing results for tags 'Arri s16'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • News & Press Releases
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production
    • On Screen
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Skype


Location


My Gear


Specialties

Found 1 result

  1. I have been looking for a nice and cheap 16mm camera to start with. I don't mind if I have to do some work on it to get it running, as long as it's do-able. the requirements are that it needs to be capable of getting footage that looks good by todays standards, should be between 100-600$ lower the better, (I have to be able to pay for film after buying it). If it doesn't have a motor is it all that hard to make one? will it look like super 8 If shoot with it? Is there any thing I should know? What other cameras should I be looking for? It's things like this that make me aviod a bolex. I've seen better thing shoot on super 8 max 8, like this. I'm going for something like this. I know it's a bolex in the first one. but there are some reasons I don't really want one, including stability. If I had money, I'd want something like this. This is what I'm looking for, in the sense of quality. I'd get a Krasnogorsk 3 if i'd wern"t for being a wind up and only taking 100' of film. I need to blimp what ever I get unless it's self blimped. Krasnogorsk 3 test, ignore the flicer, thats from the eye pice not being covered. P.S. I also consderd a canon scoopic. also how do you control and focus a camera thats blimped, expshilly if it's a home made one? Do I really need a sync motor? Also sorry for being so long with the question. cameras I'm talking about. http://www.ebay.com/itm/Professional-16-mm-movie-camera-KRASNOGORSK-3-M42-lens-Meteor-/401049505137?hash=item5d6069cd71:g:-PMAAOSwwPhWh7Bc http://www.ebay.com/itm/16CP-M-Professional-Movie-Camera-Body-Rare-Russian-ARRIFLEX-16-/272183791532?hash=item3f5f6b0fac:g:6MwAAOSwB4NWywx2 http://www.ebay.com/itm/Konvas-1m-Russian-35mm-movie-camera/361508887641?_trksid=p2047675.c100005.m1851&_trkparms=aid%3D222007%26algo%3DSIC.MBE%26ao%3D1%26asc%3D36188%26meid%3D36d99c4c1a5c43dcb9afad67dbb73f09%26pid%3D100005%26rk%3D4%26rkt%3D6%26sd%3D121882012376 http://www.ebay.com/itm/ARRIFLEX-ARRI-16-S-B-GS-16mm-FILM-CAMERA-BODY-/262349651275?hash=item3d1541fd4b:g:7C4AAOSwP~tW4RCs
×
×
  • Create New...