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Selling my SmallHD 1703 HDR monitor. I bought it last January and rarely use it. There is a small paint chip on the side and a small scratch in the screen protector but it is basically a new monitor. Monitor is $4000 new, and I have $764 worth of accessories. VFgadget vesa mount = $214 Gold mount battery Kit = $250 Anti reflective screen impact protector = $150 Sun hood = $150 Asking $3,500 And I will include the Pelican 1560 case I keep it in. Photos are here https://imgur.com/a/KDKvr

This SmallHD 702 Bright is brand new and in the box. The box has never been opened. As such the monitor is still covered under SmallHD's warranty. The 702 Bright is an incredibly bright, on camera, monitor that allows camera operators or 1st ACs to see the screen in daylight without a sun-hood. Which if you've ever tried pulling focus off of a Shogun, or some such monitor/recorder that has a really low nit count, in the daylight it's a disaster. The 702 has really convenient features that make life on set a lot easier. In addition to the brightness the 702 natively takes Sony BP style batteries as well as Canon LP-E6 batteries. The 702 is also able to receive SDI and put out through HDMI, or vice versa, if you ever had that need. In a lot of ways it's a really versatile monitor that's worth taking a look at. The highlights of this monitor are as follows. Specs:*7" Daylight Viewable 1080p Display *1000 cd/m² Brightness *1000:1 Contrast; 179° Viewing angle *HD-SDI and HDMI Inputs and Outputs *Dual L-Series and LP-E6 Battery Support

Hello all, I am looking to sell my Small HD DP7 LCD Monitor to It comes with P-tap to 4 Pin Hirose cable used to power it. I'm local to NYC. Buyer pays shipping. (Bubble Level shown in picture not included in sale.) Asking: $900

I currently own a Sony FS5 and in 2 years I plan to upgrade to something more cinema like I suppose. Either that or a higher end Sony camera. Im in a in monitor dilemma. Between the two in the title, I want something that will last me through this camera to the next. The FS5 produces XAVC which I'm ok with quality wise. I usually transcode to prores to edit. But sometimes I find transcoding annoying. If I were to deal with that at least I'd have a nice monitor that allows me to use luts etc. With the Inferno I have the option for raw,prores,and dnxhd. Now... Do higher end cameras these days have options like this? Is it typical most of the time? If I were to upgrade to a camera that has these options the Inferno would be a waste of money. Or do money with reds, arris etc still use recorders?

Company Brings Quality Field Monitors To Vitec Product line-up LONDON (December 11, 2014) - The Vitec Group today announced that it has acquired SmallHD, the North Carolina company known for its high-quality, high-definition, on-camera field monitors used by videographers, cinematographers, camera assistants and other creative professionals across the filmmaking world. SmallHD will be incorporated into the Vitec Group's Videocom division, complementing its existing brands. SmallHD pioneered the design and manufacture of rugged, future-proofed field monitors based on the company's experience in production, collaborations with other filmmakers, and from extensive customer feedback. SmallHD's association with the Vitec Group will enable it to bring a new range of innovative monitors to customers. "With the rapid increase of independent filmmakers and videographers, the need for quality, high-performing, end-to-end solutions has never been stronger," said Vitec Videocom CEO Matt Danilowicz. "There is definite synergy between SmallHD and Vitec Videocom, especially given that their pioneering drive matches our own. The acquisition enables us to offer another set of professional and innovative solutions for the production workflow, and takes us a step closer to fully addressing the needs of this expanding and exciting market." SmallHD was officially founded in 2009 by Wes Phillips and Dale Backus. The pair, along with a group of friends, had been creating spots for local businesses and entered the Doritos-sponsored Crash The Super Bowl contest with a spot entitled Live the Flavor. The resulting notoriety from winning brought national work in for the team. The demand to complete increasingly higher-calibre work made the SmallHD creatives and production crew aware of a need for better tools. Rather than buying off-the-shelf solutions, they were inspired to create them, specifically field monitors. The DP6 field monitor, their first mainstream product, not only met their own high standards but was immediately sought after by other filmmakers. When SmallHD won an unprecedented second Doritos Crash The Super Bowl challenge in 2010, the company used the winnings to develop its product line and expand manufacturing operations. "We are looking forward to joining the Vitec Group of companies," said Wes Phillips, founder and CEO of SmallHD. "It's exciting for SmallHD to be included among the great brands that they represent. We have aspirations to continue to build outstanding monitors, and Vitec not only encourages that entrepreneurial spirit but offers the support and expertise we need to move forward." SmallHD joins the Vitec Videocom line-up of brands that serves its users in broadcast, cinematography and professional content creation. Other Vitec Videocom brands include Anton/Bauer, Autoscript, Autocue, Camera Corps, Bexel, Litepanels, OConnor, Petrol Bags, Sachtler, Teradek, The Camera Store, Vinten and Vinten Radamec.