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Found 2 results

  1. I'm shooting a short narrative that involves several scenes of two people talking at interior doorways. I've attached photos below to give you a sense of the framing as well as photos of our actual location. Our lighting package includes a couple aladdin LEDs, a leko and a skypanel s-60. My plan is to use the aladdin's to key the man from camera left and possibly tape a bounce to the door to get a little return on his fill side. I'm unsure if that plan will work due to the tight space and won't be able to scout this location in person until the day before our shoot next week. Do you guys have any advice/better ideas on how to light these characters in the doorway? Concerns: We will be cutting on the action of opening the door so hanging something overhead in the doorframe doesn't seem possible since we will have to capture the action of the door opening. That is why I'm thinking keying from the side might be better. Limited on space (see photos below). I'm worried about sneaking lights too close and making it feel too sourcey. Any advice would be much appreciated, thank you!
  2. Minimal Camera gear for independent productions Not long ago I wrapped an independent feature that was shot in Morocco with a DoP I had already worked for on two more movies. From the very first contact with the production company, it was quite clear that it was a low budget movie, therefore it was mandatory to squeeze the most out of every single euro in order to make the shooting possible according to the schedule, without the need to do extra hours and such. As usual, I advised the director of photography on the gear list, try to get everything I considered necessary and making a separate list of devices and accessories that could be considered dispensable, hoping that finally the production company would come to an agreement with the rental house. Since the prep time had been very short, there was a lot of information about the shooting I wasn’t aware of, and now that I came back I would like to share what I’ve learn from this experience. Speaking about gear and accessories, I realized that there are some of them that are wrongly considered “fancy”, while it’s precisely in low budget productions when they become more handy and/or essential. Here you have my top 3... More info here Camaleon Cinema Services S.L - Fabio Giolitti.
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