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Found 3 results

  1. Please email sales@broadcastsolutions.com for pricing and pics. 236 Hours PL Module 4K License Sony top handle w/VF Mount Viewfinder L Bracket LCD L350 w/ Cable Sony Base Plate w/ Shoulder Pad 2 x 10” 15mm Aluminum Rods Sony SxS USB2 Card Reader w/Cable Sony BC-l90 Simultaneous Charger w/ AC & 4-pin XLR Cables SKB Custom Shipping case
  2. Looking To Purchase (Pre-Owned) : Set of Zeiss Super Speeds MK 2 or 3 Sony PMW-F5 camera package w/ ProRes option
  3. Hi guys, I have a fantasy film coming up that we'll be shooting entirely on stage, that will involve a fair amount of digital set extension (forests, mountains, shining dome structures) and background replacement via greenscreen (or bluescreen, haven't confirmed whether it'll be green or blue yet) and a pretty vibrant colour palette. Our two options for camera are the Red One MX and Sony F5 (without a raw recorder, so 1080p 4:4:4 only). I'll be lighting with tungsten almost exclusively (the lighting grid is mainly 5k fresnels and 2k soft lights), so I'm a little weary about the impact that will have on the shadows with the Red (most of the scenes will be pretty low-key). However with the F5 we'd only get 10-bit 1080p 4:4:4 as apposed to 4K Redcode raw with the Red One. So I'm wondering what people's leanings would be camera-wise? I'd also really appreciate any thoughts or suggestions people have for using atmospherics (mainly haze) with greenscreen components? We really need haze for atmosphere - but we probably need clean keys more. I'd love to hear anyone's thoughts on the matter. Cheers, Mark
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