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Found 5 results

  1. Hi, We are two technicians working in the film industry in France (a grip guy and a gaffer) and we just discovered this very interesting forum. We particularly noticed that gaffers and cinematographers were asking questions about light output and what aperture is obtained at a certain distance. It happens that with the help of two IT engineers we developed an iOS app responding to this question about 2 years ago. First and for all, we’re not going to post messages everywhere on this forum to sell our app nor are we going to pollute your threads to gain in visibility. We just think s
  2. Hi everyone! I currently live in Milan and I'm working on a project that involves a huge green screen. We need to convert a room of 26x13 ft. into a green screen studio. I was doing some research online, looking for paintings to use, and I found two main brands of green screen paintings: ROSCO (US) and HATO (Germany). There is a very big difference of prizing between them and I was wondering if you could help me understand why? For example, in amazon.it you can find one gallon of ROSCO for 320EUR (. The gallon of HATO paintings costs around 92EUR. I don't know if this is because HATO is ma
  3. I was wondering how is it that these gels came to be? When did Rosco decide to ask Storaro to create them? And why did Storaro choose precisely these ten colours? How much has Storaro himself used the gels? Are there any particular instances of striking use of one or several of these gels? https://www.rosco.com/filters/cinegel.cfm?CategoryID=5
  4. I'm gaffering on a short film this week, and had a basic selection of gels to chose from for the shoot from our university. I've got the standard CTB/CTO gels to use on our lights. I was looking for some CTS (Straw) to use on tungsten units as morning sunlight, however for some reason all I could get was No Colour Straw (Rosco #804). It seems to still produce a nice light with a slight yellow tint, which suits a morning sunrise. I was wondering what the different between normal Straw gel, and No Colour Straw gel is? I bet it's so minimal, but it would be good to know!
  5. Hi folks! I don't know If I'm in the right forum for this, but I need some help to find a specific sort of lighting filter. I'm looking for a filter that diffuses the light but doesn't add that white color, more like a "clear translucent" / "non-white" frost / diffusion film. Rosco has got a lot of different filters, for example: E-Colour #216: White Diffusion E-Colour #220: White Frost E-Colour #480: Full Atlantic Frost E-Colour #253: Hanover Frost E-Colour #129: Heavy Frost etc. I've made two comparison pics in ps so it would be easier to explain, notice how the second e
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