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Found 5 results

  1. Lots of discussion on the why of shooting with an iPhone, but I'm wondering about how. As in how do you create lighting that will let you get a good meaty picture and lots of subject separation using an iPhone. Expressiveness is a topic for another day. Specifically where would you start with light levels, ratios, color temps, and the rest? I presume you would set light levels so the camera could be shot at its native ISO value, but beyond that: Would you go very hard source light? Ultra diffused? Religiously keep your ratios at 2:1 or eliminate the fill and let the shadows fall where
  2. Dear Colleagues, I'm wondering what objects, surfaces or props can be used to achieve interesting light reflection patterns? See this example of the Feist music video: It doesn't have to be that one per say, but any other technique that you guys could recommend from experience? Sincerely, Jovan Todorovic jovan.tv
  3. Hello, I have a question that applies both to still photography as it does to cinematography, I hope I will not get banned for that! As a cinematographer, I find hard to differentiate the two, as I use my photographic work a lot, as an inspiration and experimental playground in my cinematography work. Currently, I am wondering what are the best ways to find a fisheye accessory or get a fisheye lens for a very low price. The goal is to fit in a lot of landscape, and get distortion effects on faces or other subjects. I realize that usually these lenses or add-ons are expensive becau
  4. It seems that a DOP needs to learn to light for every situation and then tweak those according to script and specific locations. Though not exhuastive I have listed the situations in which one should practice lighting. Can you think of others that are good to practice? DAY Interiors room dramatic. Hard sunlight through windows with possibly a little fill. Interiors room soft. Huge softbox outside window with a little fill inside room if necessary. Interiors car and transports dramatic. Hard sunlight through windows with possibly a little fill. Interiors car and transports soft. Huge so
  5. this video is rather trippy. some of the techniques i recognize like the overlay, and the overhead green screen shots. tehre still really good. the quality is low, but for some reason i think they may have done this on purpose. there look to be a lot of purpose in this video. I cant seem to figure out how they did it? https://www.youtube.com/watch?v=9NcI6XAVnnw <iframe width="560" height="315" src="http://www.youtube.com/embed/9NcI6XAVnnw" frameborder="0" allowfullscreen></iframe>
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