Jesse Phomsouvanh Posted May 1, 2012 Share Posted May 1, 2012 Hi guys, I'm using Fuji Eterna 500T 16mm (tungsten type) and my director wants a rather washed out, desaturated look keeping some objects potent and rich in colour. For example, there's a grey-blue bias in a bedroom scene and it's generally desaturated but we want to emphasize a bright red carnival flag. Should I do a blue flag and shoot everything in orange tungsten and do a reversal? I'm dealing with walls that are white and dark blue and there's some sunlight coming through which I can probably block out but it's not preferred. Thanks heaps Jesse Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted May 1, 2012 Premium Member Share Posted May 1, 2012 If your bathroom is blue-grey and the flag is bright red, then don't you already have the look right in front of the camera? Link to comment Share on other sites More sharing options...
Jon Rosenbloom Posted May 1, 2012 Share Posted May 1, 2012 What are your post-plans? I think even in Final Cut's Color, you can do a secondary correction in which you can key the red and saturate it while desaturating the rest of the image. Helps to have a colorist. Link to comment Share on other sites More sharing options...
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