kajako Posted May 17, 2004 Share Posted May 17, 2004 Hi--I need an answer to this question. I am interested in learning the technique of achieving the bleached-out colour scheme. In particular the effects seen in films such as "Traffic" and "Man on Fire". I am not a photographer so I beg that the answer is in layman's terms. How can I produce similar images (photos) with the most simple process. Thanks! Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted May 17, 2004 Premium Member Share Posted May 17, 2004 The odd-color look for some sequences is done by "cross-processing" a reversal film stock (i.e. color slide film) in a color negative development. In still photography, it would be done by processing an E6 color slide film in the C41 color negative process. You may have to go to a professional still lab to get this work done. In the case of "Traffic" there was also a lot of digital color manipulation for those scenes in Mexico. Link to comment Share on other sites More sharing options...
Premium Member John Pytlak RIP Posted May 17, 2004 Premium Member Share Posted May 17, 2004 Cross-Processing of reversal films in ECN-2 process: http://www.kodak.com/global/en/service/tib/tib5200.shtml "Traffic": http://www.kodak.com/country/US/en/motion/...1/traffic.shtml Link to comment Share on other sites More sharing options...
Premium Member Michael Nash Posted May 19, 2004 Premium Member Share Posted May 19, 2004 For still images it's also very easy to create this look in Photoshop. There are several ways to do it, but the basic idea is to crush the black level and clip the white level (experiement with how much looks right). Often times cross-processed film shifts color; you might experiment with shifting the highlights toward yellow and the shadows toward blue. You can add noise if you like, to simulate additonal film grain. Overall color saturation can be controlled with the "hue/saturation" control panel. Link to comment Share on other sites More sharing options...
Eric Steelberg ASC Posted May 19, 2004 Share Posted May 19, 2004 Both of those films had their imagery made using digital intermediate, although Paul Cameron (dp Man On Fire) likes to push film and sometimes cross process in addition to shooting Fuji Velvia reversal. Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now