Jan Weis Posted June 13, 2006 Share Posted June 13, 2006 Imagine this, You are in a building which is lit by sunlight from the outside through windows. Do I set the the film speed as outdoors or indoors. I assume that I should set it as out doors since it is sunlight we're talking about but I want to make sure not to make a mistake after all its my first short film. here's a shot of the set: //Jan Link to comment Share on other sites More sharing options...
Premium Member John Pytlak RIP Posted June 13, 2006 Premium Member Share Posted June 13, 2006 If the light source is unfiltered daylight, treat it as daylight. Compared to tungsten light, daylight has more energy in the blue portion of the spectrum. Be careful, as some energy-efficient windows may be "tinted" and have some coloration. Most panchromatic B&W camera films have a bit more sensitivity in the blue portion of the spectrum than the red. So a blue-rich daylight source is a bit more effective in exposing the film, and the film exposure index for daylight illumination is about 1/3 stop faster. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted June 13, 2006 Premium Member Share Posted June 13, 2006 Yes, in daylight color balance, whether indoors or outdoors, use the daylight ASA rating. However, note that there is only a 1/3-stop difference between that and the tungsten rating, so it's not the end of the world if you use that rating instead. I also use the tungsten rating when adding any orange-to-red filters, since now the light hitting the film is at that spectrum. Link to comment Share on other sites More sharing options...
Jan Weis Posted June 14, 2006 Author Share Posted June 14, 2006 I'm glad it wont be the end of the world if I mess the ASA setting up but I'm even glad that I now know what ASA to set it as and for that I thank you both John & David. //Jan Link to comment Share on other sites More sharing options...
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