Kenny N Suleimanagich Posted January 9, 2007 Share Posted January 9, 2007 Have any of you had the chance to use it for your film? It's by far the most innovative printing machine I've ever seen. I was at Arri Burbank last week and they had one opened up. The insides are like a work of art. Opinions! Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted January 9, 2007 Premium Member Share Posted January 9, 2007 It's pretty much the workhorse film recorder for D.I.'s and HD-to-35mm transfers. I've had six features transferred to 35mm IN on an Arrilaser, four shot in 24P HDCAM, one HDCAM-SR D.I. ("Shadowboxer") and one 4K-to-2K D.I. ("Astronaut Farmer".) It's not for normal film printing, just recording digital files to 35mm. Link to comment Share on other sites More sharing options...
Kenny N Suleimanagich Posted January 9, 2007 Author Share Posted January 9, 2007 It's pretty much the workhorse film recorder for D.I.'s and HD-to-35mm transfers. I've had six features transferred to 35mm IN on an Arrilaser, four shot in 24P HDCAM, one HDCAM-SR D.I. ("Shadowboxer") and one 4K-to-2K D.I. ("Astronaut Farmer".) It's not for normal film printing, just recording digital files to 35mm. What the director and cinematographer of this recent project I A.C.'d on are doing was shot super35, ArriScan it to 4:2:2, did telecine, then are going back to film with Arrilaser, which I would say is the highest quality D.I. for a project I've worked on. And though I'm sure you arent amazed by such a process, when you're a high school junior like me it's more amazing than seeing the biggest diamond in the world in your hands. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted January 9, 2007 Premium Member Share Posted January 9, 2007 I'm not sure you are describing the post path right -- 4:2:2 is a video format, not a digital scan, and you wouldn't both scan and then telecine the film. Telecine describes a film-to-video transfer and a scan is similar (film-to-digital data files), but it's a pin-registered single-frame-at-a-time process (film in a telecine moves continuously and is not pin-registered.) So whether or not this Super-35 was telecine transferred to video for editing, the D.I. would have either involved an HD telecine session on a Spirit (to a 4:2:2 format if you are correct about that) or a data scan on a Arriscanner, which would be RGB (the equivalent in HD video would be 4:4:4, which would be more likely for an HD D.I. than 4:2:2, which is more used for HD mastering for home video.) Link to comment Share on other sites More sharing options...
Kenny N Suleimanagich Posted January 9, 2007 Author Share Posted January 9, 2007 Thank you for correcting me, it was edited in 4:2:2 after telecine. It wasnt a big enough project for 4:4:4, so after editing we went back and printed from that digital medium to film via Arrilaser. Either way, I was overwhelmed with the power of Arri post products. Link to comment Share on other sites More sharing options...
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