mattharding Posted September 12, 2004 Posted September 12, 2004 I have heard some people become very concerned with doing a Chroma Key effect off of a super 16 negative. I have had great luck with the Vision stocks. I would imagine that shooting with the Vision 2 7217 would be even better. First of all, should there be any worries of pulling a good key on super 16 with a good Spirit transfer? Then, what if I tried some very minor diffusion on close-up shots that end up being key shots? Is that really gonna screw up the edges? Sounds from the other post on the topic that I would use something very sublte like a soft fx.
Premium Member David Mullen ASC Posted September 13, 2004 Premium Member Posted September 13, 2004 Dn't use diffusion when doing chroma key shots; you can always add it in post when doing the composite anyway.
Premium Member John Pytlak RIP Posted September 15, 2004 Premium Member Posted September 15, 2004 I agree with David -- don't do anything to soften the edges.
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