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Chroma Key in Super 16


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I have heard some people become very concerned with doing a Chroma Key effect off of a super 16 negative. I have had great luck with the Vision stocks. I would imagine that shooting with the Vision 2 7217 would be even better.


First of all, should there be any worries of pulling a good key on super 16 with a good Spirit transfer?


Then, what if I tried some very minor diffusion on close-up shots that end up being key shots? Is that really gonna screw up the edges? Sounds from the other post on the topic that I would use something very sublte like a soft fx.

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