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Flourescent green


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My favorite recipe for this kind of look has always been some combination of plus green and CTB. Generally I would use 1/2 CTB, full plus green, but depending on saturation I am looking for, I have gone as high as full + 1/2 CTB, and double + 1/2 plus green. usually I prefer to use about twice as much green as blue, but that ratio also varies. as with any gel recipe, test to see what you like. The super saturated look I last used the recepie for may not be the same look you need for your project. I tend to avoid using poor quality floros with the green built in unless I want a practicle to have the color without adding a bunch of (expensive, ugly) gel tubes, since poor quality tubes can vary even between tubes of the same ilk.

 

Also for a more stylized, less realistic rendering of a similar color, I have always LOVED calcolor cyan (comes in 30, 60 and 90.)

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Be ready to use 20ks when stacking these Filters... even just Full Plus Green will trap a TON of Light.. doubling that and/ or adding Blue will only make it tougher for Light to penetrate. Putting these just on a Kino or even Wall-O-Light will render the unit worthless.. unless you are shooting right into it as set dressing.

 

I agree with Michael, I usually add a bit of Blue as well.. sorry I gave you a lazy answer..

Edited by David Rakoczy
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