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Looking for a specific gel The Abyss


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I'll have to go watch it again to back up any of this, but I don't think you can just say a gel number and make it work. Was it L200 on a tungsten fixture, or on an HMI? Any filters in front of the lens? Shooiting on daylight or tungsten film?

 

I would also venture that, like a lot of Cameron films, it has every bit as much to do with the lighting as it does with the timing of the film in post.

 

One man's opinion,

-j

 

Jeff Woods

Portland, OR

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