Guest Posted July 23, 2014 Share Posted July 23, 2014 Hey,My name is Martijn and I study film and television in Belgium and the past year I have discovered that I'm very into cinematography. And lately I started thinking about maybe buying a lightmeter. Now I was wondering if there were any specific models that you guys would recommend a film student? And the price of a professional light meter is pretty steep but is it worth the investment? Thanks in advance,Martijn Link to comment Share on other sites More sharing options...
Premium Member Adrian Sierkowski Posted July 23, 2014 Premium Member Share Posted July 23, 2014 Sure it's well worth the investment. A sekonic L758 Cine will last you a long long time, but start with a 398 (Studio Deluxe IIA, I think it's called) which is an analog meter from Sekonic which i always keep as my backup just in case anything ever happens to my main meter (like it getting stolen) Link to comment Share on other sites More sharing options...
Premium Member Bill DiPietra Posted July 23, 2014 Premium Member Share Posted July 23, 2014 Now it's the L-398A Studio Deluxe III. Same meter, jazzier name. Link to comment Share on other sites More sharing options...
John E Clark Posted July 24, 2014 Share Posted July 24, 2014 Hey, My name is Martijn and I study film and television in Belgium and the past year I have discovered that I'm very into cinematography. And lately I started thinking about maybe buying a lightmeter. Now I was wondering if there were any specific models that you guys would recommend a film student? And the price of a professional light meter is pretty steep but is it worth the investment? Thanks in advance, Martijn I've had my Minolta Spot meter for about 20 years, and before that I used the Pentax Spot meter. Since I've gotten in to 'moving pictures', I bought the Sekonic L-308DC meter, which has a 'footcandle/lux' read out. Since most pro 'light' data is given in terms of footcandle/lux it makes it easier for analyzing and adjusting lights. I find using a light meter on location scouting to be of benefit as well. Link to comment Share on other sites More sharing options...
Premium Member Satsuki Murashige Posted July 24, 2014 Premium Member Share Posted July 24, 2014 Get a digital meter, they are more accurate, more sensitive in low light, and less prone to losing calibration. For an incident meter, the Spectra Cine Pro IV is a good one. For a dedicated spot meter, the Minolta Spotmeter F. For a spot meter/incident meter combo, the Sekonic L-508/608/558/758 series are fine. You can get used meters on eBay - the important thing is to get it calibrated before use. Quality Light Metric used to be the place to go, not sure if they're still in business. Try them here: Quality Light Metric (323) 467-2265 For the Sekonic spot/incident combo meters, you need to specify that the spot meter be calibrated to 18% grey so that it matches the incident reading. They are factory calibrated to 11% for some reason. Link to comment Share on other sites More sharing options...
Premium Member Satsuki Murashige Posted July 24, 2014 Premium Member Share Posted July 24, 2014 Just noticed that you are in Europe. Not sure which company calibrates meters out there, maybe someone else has a recommendation? Link to comment Share on other sites More sharing options...
Guest Posted July 24, 2014 Share Posted July 24, 2014 Thanks Satsuki that was very helpful! I just saw you were the first camera assistant on "I believe in Unicorns", beautiful trailer. I really like the Super 16 look! I can't wait to see it! Link to comment Share on other sites More sharing options...
Premium Member Satsuki Murashige Posted July 24, 2014 Premium Member Share Posted July 24, 2014 Thanks! I only day played a few days on it. Jeremy Wong was the 1st AC for 95% of the movie. He also was the 1st AC on 'Fruitvale Station.' Link to comment Share on other sites More sharing options...
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