igus mikler

budget is low, no tow:( speed no higher then 50km/h) during sunny day, how many ND filters you anticipate, covering the windows from outside? how would you apply them...gaffer tape i guess would leave marks on the car? what gear would you need for attaching the bouncers onto the car at this speed? the camera mount will be atached from the drivers side window and then from passangers side window.

Hi! I am getting ready to shoot some scenes inside a car, by day and night. am wondering if anyone could give me good advice on how to do this. I have to light the driver and the passenger in the passenger seat. what sources would best be applied and where would these best be positioned? thank you for all the help.

question is while measuring light with the lightmeter what ISO should I set the sensitivity at? will shoot at 24p, standard shutter at 1/60 (im kind of new to the ntsc system- but i gatther this is right) also will be using lens adapter for 35mm lenses. so am wondering how this will effect the aperture- do i loose a stop or two by applying the lens? what comensation should i make/ if any? also wondering if i should go for progressive or interlaced for best quality picture- might be blown up to 35mm. thanks,

Indie feature film, looking for experienced gaffer and grip, grip- experience with car mount, jib and dolly. low budget 100dollar/day+ meals provided. this is a 12h/day shoot. 2/3 of the movie has alredy been shot. starts this tuesday 9th/May 2006 email igusmik@hotmail.com

So I found out there is a lens adapter to 35mm. sounds great- my concern now is how does these lenses effect the aperture? does the camera forsee the loss of light coming through the lens? should i be very careful with setting the aperture?

Hi! this might sound like a bit odd of a question - I have someone tell me he wants to shoot with the panasonic 100A and change the lenses to 35mm. I am curious, cause last time I rented that camera i asked the staff if they had a wide angle lens - and they told me that you cannont change the lenses on the panasonic 100A- is that correct? and then am I right to say you cannot apply the 35mm lenses on this particular camera?

Hi! just wondering if and how you reset the camera to factory presets? also wondering how i set the timecode on this one? lastly does it record 60i by default? thanks for the help!

hi! I am having some trubble with making my demo dvd. I am from Europe and all my material is in PAL, i use final cut pro to convert to NTSC- but what transcoding would end up in the best quality? I am lacking plug in for MPEG2 in my dvd maker. is there another format that is better? reply would realy help!!

Hey! I am really intersted to know how you can get a similar effect to the smugded images you get in photography while exposing the frame longer then 1/50 ( in photography you can caputre the movement, the light streaks) in film you would have to shoot in lower frame rate...at what frame rate do we get something similar...there is also the consept of fazing in post production- (shooting eg. 4fps and copy those frames cupple times- what is this called?) and what is the sectors role in all of this? if any one could elaborate on these thoughts it would really help alot! im in kind of a hurry with the answeres.. /d student

Hey! I am really intersted to know how you can get a similar effect to the smugded images you get in photography while exposing the frame longer then 1/50 ( in photography you can caputre the movement, the light streaks) in film you would have to shoot in lower frame rate...at what frame rate do we get something similar...there is also the consept of fazing in post production- (shooting eg. 4fps and copy those frames cupple times- what is this called?) and what is the sectors role in all of this? if any one could elaborate on these thoughts it would really help alot! im in kind of a hurry with the answeres.. /d student

Hey! I am really intersted to know how you can get a similar effect to the smugded images you get in photography while exposing the frame longer then 1/50 ( in photography you can caputre the movement, the light streaks) in film you would have to shoot in lower frame rate...at what frame rate do we get something similar...there is also the consept of fazing in post production- (shooting eg. 4fps and copy those frames cupple times- what is this called?) and what is the sectors role in all of this? if any one could elaborate on these thoughts it would really help alot! im in kind of a hurry with the answeres.. /d student