Kip Kubin
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Posts posted by Kip Kubin
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https://www.ebay.com/itm/143382174361
I'm including a Kinoptic 5.7 lens with the camera as well.
Camera needs a CLA and some minor repairs but I use it in current condition all the time. Last used a few weeks ago with No Issues,
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Film test above all shot 9-50 on Aaton XTR
I use the 9-50 - if you take off the front matte ring it will cover S16 from about 15-50 - bit of vignetting on the wider lengths.
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Here's the situation.
All stock bought from Kodak directly.
Shot a music video with an Arri SR2 with new stock from Kodak - No problems
Shot 2 additional mags of short ends on an Aaton XTR - Stock about 2 years old - Refrigerated
One short end - 50 ft - No problem other than a slightly higher amount of grain than the Arri Rolls
The other has an issue - the grain pulsates - it's constant in its pulsing or and the grain is substantially more blue in the shadows than the previous roll.
By pulsating I mean it comes and goes at consistent fast intervals - its there - it fades out - it's there again
Can't post a clip as its for a major label and the material is unreleased.
Has anyone seen this before? Im just trying to avoid it in the future. Im assuming its the age of the stock - and possible mishandling but could it also be camera related?
Thanks
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I've got 1 roll of 8622 64D
it's not 20 but let me know if this can help you out.
Stored properly - shot on it a tear or so ago.
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Thanks Mitch
I tested both eyepieces. Seating correctly did solve the issue of the entire GG lines in focus
I tried rotating the eyepiece and nothing happened - the other part can't rotate
Depending on how put on the eyepiece is how the lines are shifted - one way its shifted upwards the other way downwards.
In a nutshell my center hash marks are not in the center. Im assuming they are supposed to be
I have shot this way and I believe its just a little misframed the footage was sharp
I'll send it off to be looked at.
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Mine has a tab that lays on the black strip that is on top of the ground glass
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The metal tab that rests on the top of the ground glass is not attached to the ground glass. - is that the issue? Should it be attached with glue?
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Thanks. I'll send it in then.
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AATON XTR SER1352
As time goes by my Ground Glass is no longer centered in the frame it has slipped downward as I look into the eyepiece.
Is there something I can do to adjust it "upward"
I have also noticed that when the top line of the ground glass is in focus the bottom is a little out.
Is there an easy way to adjust the ground glass back to factory setting without sending it away for service? I have a shoot this Tuesday and I'd like to fix it if possible
Thanks in advance.
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Thanks Carl,
Shooting on film is addictive as a director, it's the best way I know to sharpen your skills by default. It's just amazing and a shame more people don't do it.
Thanks for watching
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It looks absolutely great!
In terms of time, I think that a lot of directors want to show to the world that they can make long features so they keep writing long short - films whereas having a 3 or 5 minutes limit is more challenging as you have to be able to tell a story narratively and visually within that time.
And shooting on film is fantastic! I keep telling my friends that we have to shoot more things on super16 or 35mm 2 perf but they are all hooked on digital now ha!
I have always wanted to shoot something on 16mm anamorphic!
Thanks, I think there's a temptation to shoot digital out of fear more than money. I learned that preperation and rehearsal are key. That seems obvious but the digital shorts I've worked on or filmed BTS on tend to be lazy and shoot several versions of the same thing out of fear...not the best way to approach the craft of filmmaking. I speaking more about learning to be a better filmmaker not a. Seasoned vet who's trying something new.
Thanks for watching
Have a great day.
Best.
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Thanks Chris
I should mention 5 hrs total filming and 600FT of film total.
I'm really hooked on this kind of filmmaking..the sub 5 min short... on film
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Thought I'd post a short film I finished a short while back.
I wanted to text a batch of 64D I had in the fridge while working with a new DP and lab. (Video and Film Solutions, Rockville, MD). Rather than film a roll,of my hometown I adapted a dream my friend had into a quick micro short film about the end of the world.
Really pleased with the outcome and don't know why more shorts aren't filed inSuper 16.
Tech info:
Aaton XTR
ZEISS Super Speed MKI
FUJI 64D
Lab and transfer:
Video and a Film Solutions
Thank you for watching
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Yes it is. Less than I paid. I'm funding a set of primes for my next short so I started the auction low in order to get people interested.
It is in great shape. A few scrapes on the barrel bit the glass is pristine.
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Should be working now. I think I posted before Ebay listed.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=141200138497&ssPageName=ADME:L:LCA:US:1123
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Selling my Cooke 9-50mm Zoom
Bought it a while back on this site
Since I've owned it it's been maintained by Stuart at Focus Optics in LA
Selling to fund a set of Super Speeds for my next short
EBAY LISTING
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=141200138497
Footage shot with lens
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TSA will hand check film if you ask.
Always ask.
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My cooke 9-50 is super from about 15mm on....I just crop to 2:35x1 sometimes
But
I did put angeniux zoom on and it covered super at about 20 or so mm but started to vignette again closer to 50
If it helps I'll go over my Cooke again and get you exact MMs that vignette.
@1:27 the lens is at 9mm..I'm sure I punched in a bit in post.
So there are "work a rounds" if you come across. Good deal on a lens.
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Thanks for posting. Great to see a pull processing example
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That looks like color gel on a light...the purple,... The blacks seem neutral . All that to say it was a planned look achieved on set. So the best way to reproduce would be in the lighting not in post.
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I think he's saying you'll have more to work in post with than in the digital world without pushing on the developing side.
I wouldn't push, if the film matches your still you'll be fine and will not add any extra grain to your final product.
Let us know what happens
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This may not be any help but I can mount my Cooke in a way the it is slightly out of focus and won't get to infinity.
If I carefully take off the lens and make sure it's seated correctly everything is fine.
As my mount is aaton and not pl this may be of no help...have you tried putting a pl lens on and see if that works correctly?
Just listed my Aaton XTR and lens on Ebay
in Cine Marketplace
Posted
https://www.ebay.com/itm/143382686860
New URL- for ebay sale