Kip Kubin
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Just listed my Aaton XTR and lens on Ebay
Kip Kubin replied to Kip Kubin's topic in Cine Marketplace
https://www.ebay.com/itm/143382686860 New URL- for ebay sale -
https://www.ebay.com/itm/143382174361 I'm including a Kinoptic 5.7 lens with the camera as well. Camera needs a CLA and some minor repairs but I use it in current condition all the time. Last used a few weeks ago with No Issues,
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What's it like: Cooke Varokinetal 9-50mm
Kip Kubin replied to Stephen Perera's topic in Lenses & Lens Accessories
https://vimeo.com/46914629 Film test above all shot 9-50 on Aaton XTR I use the 9-50 - if you take off the front matte ring it will cover S16 from about 15-50 - bit of vignetting on the wider lengths. -
Here's the situation. All stock bought from Kodak directly. Shot a music video with an Arri SR2 with new stock from Kodak - No problems Shot 2 additional mags of short ends on an Aaton XTR - Stock about 2 years old - Refrigerated One short end - 50 ft - No problem other than a slightly higher amount of grain than the Arri Rolls The other has an issue - the grain pulsates - it's constant in its pulsing or and the grain is substantially more blue in the shadows than the previous roll. By pulsating I mean it comes and goes at consistent fast intervals - its there - it fades out - it's there again Can't post a clip as its for a major label and the material is unreleased. Has anyone seen this before? Im just trying to avoid it in the future. Im assuming its the age of the stock - and possible mishandling but could it also be camera related? Thanks
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I've got 1 roll of 8622 64D it's not 20 but let me know if this can help you out. Stored properly - shot on it a tear or so ago.
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Thanks Mitch I tested both eyepieces. Seating correctly did solve the issue of the entire GG lines in focus I tried rotating the eyepiece and nothing happened - the other part can't rotate Depending on how put on the eyepiece is how the lines are shifted - one way its shifted upwards the other way downwards. In a nutshell my center hash marks are not in the center. Im assuming they are supposed to be I have shot this way and I believe its just a little misframed the footage was sharp I'll send it off to be looked at.
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Mine has a tab that lays on the black strip that is on top of the ground glass https://static1.squarespace.com/static/568dc93a40667a4dbfc26713/t/57b8f1c59f7456e36f28936b/1471738328158/?format=1500w
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The metal tab that rests on the top of the ground glass is not attached to the ground glass. - is that the issue? Should it be attached with glue?
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Thanks. I'll send it in then.
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AATON XTR SER1352 As time goes by my Ground Glass is no longer centered in the frame it has slipped downward as I look into the eyepiece. Is there something I can do to adjust it "upward" I have also noticed that when the top line of the ground glass is in focus the bottom is a little out. Is there an easy way to adjust the ground glass back to factory setting without sending it away for service? I have a shoot this Tuesday and I'd like to fix it if possible Thanks in advance.
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Thanks Carl, Shooting on film is addictive as a director, it's the best way I know to sharpen your skills by default. It's just amazing and a shame more people don't do it. Thanks for watching
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IdeaStorm Media in Miami http://www.ideastormmedia.com
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Thanks Chris I should mention 5 hrs total filming and 600FT of film total. I'm really hooked on this kind of filmmaking..the sub 5 min short... on film
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Thought I'd post a short film I finished a short while back. I wanted to text a batch of 64D I had in the fridge while working with a new DP and lab. (Video and Film Solutions, Rockville, MD). Rather than film a roll,of my hometown I adapted a dream my friend had into a quick micro short film about the end of the world. Really pleased with the outcome and don't know why more shorts aren't filed inSuper 16. Tech info: Aaton XTR ZEISS Super Speed MKI FUJI 64D Lab and transfer: Video and a Film Solutions Thank you for watching
