Kip Kubin
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Everything posted by Kip Kubin
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Just listed my Aaton XTR and lens on Ebay
Kip Kubin replied to Kip Kubin's topic in Cine Marketplace
https://www.ebay.com/itm/143382686860 New URL- for ebay sale -
https://www.ebay.com/itm/143382174361 I'm including a Kinoptic 5.7 lens with the camera as well. Camera needs a CLA and some minor repairs but I use it in current condition all the time. Last used a few weeks ago with No Issues,
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What's it like: Cooke Varokinetal 9-50mm
Kip Kubin replied to Stephen Perera's topic in Lenses & Lens Accessories
https://vimeo.com/46914629 Film test above all shot 9-50 on Aaton XTR I use the 9-50 - if you take off the front matte ring it will cover S16 from about 15-50 - bit of vignetting on the wider lengths. -
Here's the situation. All stock bought from Kodak directly. Shot a music video with an Arri SR2 with new stock from Kodak - No problems Shot 2 additional mags of short ends on an Aaton XTR - Stock about 2 years old - Refrigerated One short end - 50 ft - No problem other than a slightly higher amount of grain than the Arri Rolls The other has an issue - the grain pulsates - it's constant in its pulsing or and the grain is substantially more blue in the shadows than the previous roll. By pulsating I mean it comes and goes at consistent fast intervals - its there - it fades out - it's there again Can't post a clip as its for a major label and the material is unreleased. Has anyone seen this before? Im just trying to avoid it in the future. Im assuming its the age of the stock - and possible mishandling but could it also be camera related? Thanks
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I've got 1 roll of 8622 64D it's not 20 but let me know if this can help you out. Stored properly - shot on it a tear or so ago.
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Thanks Mitch I tested both eyepieces. Seating correctly did solve the issue of the entire GG lines in focus I tried rotating the eyepiece and nothing happened - the other part can't rotate Depending on how put on the eyepiece is how the lines are shifted - one way its shifted upwards the other way downwards. In a nutshell my center hash marks are not in the center. Im assuming they are supposed to be I have shot this way and I believe its just a little misframed the footage was sharp I'll send it off to be looked at.
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Mine has a tab that lays on the black strip that is on top of the ground glass https://static1.squarespace.com/static/568dc93a40667a4dbfc26713/t/57b8f1c59f7456e36f28936b/1471738328158/?format=1500w
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The metal tab that rests on the top of the ground glass is not attached to the ground glass. - is that the issue? Should it be attached with glue?
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Thanks. I'll send it in then.
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AATON XTR SER1352 As time goes by my Ground Glass is no longer centered in the frame it has slipped downward as I look into the eyepiece. Is there something I can do to adjust it "upward" I have also noticed that when the top line of the ground glass is in focus the bottom is a little out. Is there an easy way to adjust the ground glass back to factory setting without sending it away for service? I have a shoot this Tuesday and I'd like to fix it if possible Thanks in advance.
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Thanks Carl, Shooting on film is addictive as a director, it's the best way I know to sharpen your skills by default. It's just amazing and a shame more people don't do it. Thanks for watching
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IdeaStorm Media in Miami http://www.ideastormmedia.com
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Thanks Chris I should mention 5 hrs total filming and 600FT of film total. I'm really hooked on this kind of filmmaking..the sub 5 min short... on film
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Thought I'd post a short film I finished a short while back. I wanted to text a batch of 64D I had in the fridge while working with a new DP and lab. (Video and Film Solutions, Rockville, MD). Rather than film a roll,of my hometown I adapted a dream my friend had into a quick micro short film about the end of the world. Really pleased with the outcome and don't know why more shorts aren't filed inSuper 16. Tech info: Aaton XTR ZEISS Super Speed MKI FUJI 64D Lab and transfer: Video and a Film Solutions Thank you for watching
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Yes it is. Less than I paid. I'm funding a set of primes for my next short so I started the auction low in order to get people interested. It is in great shape. A few scrapes on the barrel bit the glass is pristine.
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Should be working now. I think I posted before Ebay listed. http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=141200138497&ssPageName=ADME:L:LCA:US:1123
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Selling my Cooke 9-50mm Zoom Bought it a while back on this site Since I've owned it it's been maintained by Stuart at Focus Optics in LA Selling to fund a set of Super Speeds for my next short EBAY LISTING http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=141200138497 Footage shot with lens https://vimeo.com/46914629 https://vimeo.com/42855181
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TSA will hand check film if you ask. Always ask.
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How To Determine if a Zoom Lens is S16 Safe?
Kip Kubin replied to David Fitch's topic in Lenses & Lens Accessories
My cooke 9-50 is super from about 15mm on....I just crop to 2:35x1 sometimes But I did put angeniux zoom on and it covered super at about 20 or so mm but started to vignette again closer to 50 If it helps I'll go over my Cooke again and get you exact MMs that vignette. http://vimeo.com/46914629 @1:27 the lens is at 9mm..I'm sure I punched in a bit in post. So there are "work a rounds" if you come across. Good deal on a lens. -
Kodak 5219 Pull Process Example
Kip Kubin replied to Evan Prosofsky's topic in Film Stocks & Processing
Thanks for posting. Great to see a pull processing example -
https://vimeo.com/42855181 N74 works just fin in AATON XTR
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Can someone tell me how to achieve these looks with grading?
Kip Kubin replied to Mike Smith's topic in Post Production
That looks like color gel on a light...the purple,... The blacks seem neutral . All that to say it was a planned look achieved on set. So the best way to reproduce would be in the lighting not in post. -
Should I push 500T 7229 and 7219?
Kip Kubin replied to Montica Pes's topic in Film Stocks & Processing
I think he's saying you'll have more to work in post with than in the digital world without pushing on the developing side. I wouldn't push, if the film matches your still you'll be fine and will not add any extra grain to your final product. Let us know what happens -
This may not be any help but I can mount my Cooke in a way the it is slightly out of focus and won't get to infinity. If I carefully take off the lens and make sure it's seated correctly everything is fine. As my mount is aaton and not pl this may be of no help...have you tried putting a pl lens on and see if that works correctly?