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JD Burditt

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About JD Burditt

  • Rank

  • Birthday 11/28/1973

Profile Information

  • Occupation
    Cinematographer
  • Location
    Denver, CO
  • Specialties
    Cinematography | Color Grading | Senior VFX / GFX Artist

Contact Methods

  • Website URL
    https://vimeo.com/jdburditt
  1. Disregard above posting and use this for the sale information. https://www.ebay.com/itm/254177198618 https://www.sharegrid.com/denver/l/106523-panasonic-varicam-lt-package-108-hours?type=buy This camera has very low hours, handled professionally. Camera is in excellent (like new) condition. I have all original boxes and paperwork if needed. Camera has latest firmware and Sandisk SDXC card with latest VLT LUT’s In person testing is welcome if possible. Varicam Package Includes: Varicam Body (AU-V35LT1G) (Camera Hour Meter: 108) Varicam OLED Viewfinder (AU-VCVF10G) Varicam Grip (AU-VGRP1G) Varicam PL Mount (AU-VMPL1G) Varicam EF Mount (this mount comes with LT body) Panasonic P2 B-series 256 GB (1150.00) Panasonic P2 B-series 256 GB (1150.00) Panasonic AU-XPD1 P2 Express Drive (460.00) Shape VCT Tripod Plate (255.02) Shape Revolt VCT Universal Baseplate (672.41) Shape 15mm Aluminum Rods 12” (51.48) Shape 15mm Aluminum Rods 10” (46.73) Shape 15mm Aluminum Rods 8” (came with VCT Baseplate) Current retail pricing for ProEx Kit: $27,600 ($27,600 - $3500 Panasonic rebate: $24,100) Asking price with additional accessories listed below: $22500 Asking price without additional accessories: $21250 (for pricing consideration mention in your offer no additional accessories needed) Additional accessories: Canare 25’ HD-SDI BNC (37.95) Black Magic Design Mini Converter SDI to HDMI (185.25) Anton Bauer Hytron 140 (546.25) #1 (low hours, only used with this camera) Anton Bauer Hytron 140 (546.25) #2 (low hours, only used with this camera) Anton Bauer Dual 2722 Charger (200.00)(used pricing) (This is also camera AC power source with 4 pin XLR) Anton Bauer XLR 4 Pin Power Cable (76.00) Pelican 1637 Air Case ($352.95) Porto Brace Rain Slicker for Varicam LT (227.65) Retail for additional accessories in this kit: $2172 *Kit does not include Lens and matte box featured in some photos, everything listed above is included. Retail Total for Package Being offered here (ProEx kit + Accessories): $29,772 (Total minus $3500 current Panasonic rebate: $26,272)
  2. This camera has very low hours (108). Professionally handled, never a rental or demo camera. In person testing is welcome location permitting. Camera is in excellent (like new) condition. I have all original boxes and paperwork if needed. Camera has latest firmware and Sandisk SDXC card with latest VLT LUT’s Asking $21,250 USD for this kit. Varicam Package Includes: Varicam Body (AU-V35LT1G) (Camera Hour Meter: 108) Varicam OLED Viewfinder (AU-VCVF10G) Varicam Grip (AU-VGRP1G) Varicam PL Mount (AU-VMPL1G) Varicam EF Mount (this mount comes with LT body) Panasonic P2 B-series 256 GB (1150.00) Panasonic P2 B-series 256 GB (1150.00) Panasonic AU-XPD1 P2 Express Drive (460.00) Shape VCT Tripod Plate (255.02) Shape Revolt VCT Universal Baseplate (672.41) Shape 15mm Aluminum Rods 12” (51.48) Shape 15mm Aluminum Rods 10” (46.73) Shape 15mm Aluminum Rods 8” (came with VCT Baseplate) Current retail pricing for ProEx Kit: $27,600 ($27,600 - $3500 Panasonic rebate: $24,100) *Kit does not include Lens, Matte box, Batteries or Lens Support featured in the built out photos, everything listed above is included. I also have this listed with additional accessories. ($22,500) For pics you can look at my postings on ebay or share grid https://www.ebay.com/itm/264254785700 https://www.ebay.com/itm/254177198618 https://www.sharegrid.com/denver/l/106523?type=buy
  3. Super low price. Need to sell before move. EOD Feb 1st. 3 - 16mm 400' Rolls Fuji Eterna 250D 8663 122m(400) - Sealed - $50 each 1 - 16mm 140' Short End Kodak 200T 7213 - $25 1 - 35mm 400' ReCan Kodak Vision 2, 250D 5205 - $80 1 - 16mm 400' Roll Vision 2 HD Color Scan Film 7299 - Sealed - $10 1 - 16mm 100' Load Bolex Roll Kodak EXR 50D 7245 - Sealed - $15
  4. Forgot to mention Film is available for sale in Los Angeles (until the end of the week)
  5. Have images of the gear on cList http://losangeles.craigslist.org/wst/pho/4850561120.html Sales are local to Los Angeles. In the process of moving. If they don't sell this week I might list on ebay Thanks!
  6. Arri Studio 15mm Lens Support - $150 Light weight 15mm Lens support (LWS) - $150 4x4 clip on matte box (2 stage)- $150 Schneider 85 4x5 Filter, Excellent Condition - $120 JD@310.663.7956
  7. Price drop. Need to sell this week, I am moving. JD @310.663.7956 3 - 400' Rolls Fuji Eterna 250D 8663 122m(400) - Sealed - $80 each 1 - 140' Short End Kodak 200T 7213 - $25 1 - 400' ReCan Kodak Vision 2, 250D 5205 - $120 1 - 400' Roll Vision 2 HD Color Scan Film 7299 - Sealed - $25 1 - 100' Roll Kodak EXR 50D 7245 - Sealed - $25 Prefer to sell all at once. Thanks!
  8. I guess it would be better to call china natural silk and poly silk man made. The poly is made with synthetic fibers while natural silk is derived from silk worms. The process to produce china silk makes it more expensive.
  9. There are 3 types of silks I know of and they come in many standard sizes and custom sizes from manufactures like Matthews, American Grip and Rag place. Full, Half and Quarter. There is also black silk that cuts bounce white silks have. 2 types of 12x12 silk comonly used: china silk(real) known as half silk lightweight medium diffustion, 1 stop poly silk(artificial) know as full silk denser and softer diffusion, usually a little over a stop and half I perfer china but it is more expensive.
  10. Save up around 2500 and you can find a decent Oconnor 1030
  11. Kodak and Fuji Stock for sale Always refrigerated. 3 - 400’ 16mm Rolls Fuji Eterna 250D 8663 122m(400) - Sealed - $100 each 1 - 140’ 16mm Short End Kodak 200T 7213 - $40 1 - 400’ 35mm ReCan Kodak Vision 2, 250D 5205 - $150 1 - 400’ 16mm Roll Vision 2 HD Color Scan Film 7299 - Sealed - $50 1 - 100’ 16mm Roll Kodak EXR 50D 7245 - Sealed - $35
  12. I think everything is a factor when it comes to keying The lighting The framing of the shot (wide, medium, close) Wardrobe and skin tone Resolution of camera The optics The shutter angle Frames per second Uncompressed color (4,4,4) Most things are both asthetic and technical considerations at the same time. In my opinion resolution and color compression from the camera are a major factor. Wider full body shots are harder to key. Minimize any green spill on the subjects for clean motion blur key. Frames per second is really determined by the project frame rate and if its over or under cranked. We did a 50fps PFR a few months back with a red epic. It was decent to key but in my opinion motion looks better at 25fps or 24fps PFR (It was a european project projected at 50p) Shutter is also both a technical and aesthetic call. Technical consideration of lights beings used, exposure time, and the aesthetic is the desired amount of motion blur. You can still accomplish great keys with heavy motion blur if it was shot with a decent camera and proper set up. I’ve had great results keying 4k red and 3k alexa footage. I would say along with a great compositor you need a great DP. Lighting ratios are important for a good key. On some films where I have done only vfx, post production ends up cutting down the image size due to the amount of data before we receive dpx or whatever. Unfortunately that takes away some of the ease of keying. On my own projects I always key with the full resolution sequences and uncompressed color, its a much cleaner key. Having equal color to luminace per pixel is the key.
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