LD Barbi

Hi, I'm about do this Green Screen work, and there will be various lighting situation, some coolder scenes, some warmer, some artificial-lighting etc. And i feel its imperative to create those diferences in color. But, besides the CTO and CTB, Lee has hundreds of diferent gels, so if anyone could suggest a couple that they have already worked with, I could round it up for the testing phase. Thanks alot in advance, LD Barbi

uhm, okay. lemme put it this way guess if i overexpose 1 stop, and underdevelop 0.5 stop, with 7201 kodak stock, I could get something similar? Or maybe just do a 0.5 pull, and brighten half a stop with the printing machine? In any case, I'm using a darn old lens and the final copy will be in 16mm. much thx,

Sorry to bring this topic up again, but i have a question that i think fits here. I was wondering a bit on the cinematography of brown bunny, and although I found out in the forum that he used the old 7245 stock, I was wondering on the processes of the film. Especially these washed out scene: My first guess was that he overexposed a bit, but I'm not sure that alone did it. Could it be that the brightness was not in the camera exposure but in the print machine? Or maybe I'm way off, and someone could shed some new info on the matter. Much thx, lucas

Sorry to bring this topic up again, but i have a question that i think fits here. I was wondering a bit on the cinematography of brown bunny, and although I found out in the forum that he used the old 7245 stock, I was wondering on the processes of the film. Especially these washed out scene: My first guess was that he overexposed a bit, but I'm not sure that alone did it. Could it be that the brightness was not in the camera exposure but in the print machine? Or maybe I'm way off, and someone could shed some new info on the matter. Much thx, lucas