Dear all,
In stills photography, giving the negative extra development time increases contrast by extending the highlights, and less development time reduces contrast by bringing down the highlights. The shadows are much less affected in both cases. Do you find this to be true of modern film stocks, too? How much does forced processing really, visibly, affect the newest emulsions?
And finally, what changes in the lighting do you make, if any, to compensate for the anticipated changes in contrast?
Many thanks for your time,
Emilio